Here’s the latest round of dance-worthy, electro-fuelled tracks for you lovely lot to check out! As always, we keep out doors open for all kinds of electronic music and that shows in the eclectic mix below.
NESYA weaponises absurdity, turning a throwaway phrase into a hook that sticks like a nervous laugh in a silent room. Her newest track ‘Put The Fries In The Bag’ is a delicious contradiction that conveys a portrait of psychic whiplash, where prophecy, pain and detachment blur. Alongside its chaotic, industrial-tinged production, her vocal delivery teeters between deadpan and unhinged, amplifying the track’s uneasy magnetism. It’s danceable, yes, but it’s the kind of dancing you do alone, mid-spiral. In collapsing humour and horror into one strange anthem, NESYA proves that healing doesn’t have to sound pretty.
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Released via Lost In Dreams Records, JVNA’s single ‘The Gray’ balances fragility and force with striking control. Opening on delicate piano and hushed vocals, the track paints a suspended emotional state where love lingers but connection has faded. When the future bass drop arrives, it’s a moment of liberation, like a long-delayed breath. JVNA’s classical training shapes the arrangement, giving structure to its cinematic swells and silences. The contrast between icy minimalism and radiant synths mirrors the song’s theme perfectly. ‘The Gray’ stands as a polished, emotionally intelligent evolution of her melodic bass sound and showcases vulnerability within her songwriting voice.
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On ‘SHADES OF BLUE’, John Summit steps away from the strobe-lit euphoria of his usual anthems to embrace the moody, after-hours atmosphere of his sophomore album, CTRL ESCAPE. Accompanied by Devault’s cinematic production and Julia Church’s hauntingly ethereal vocals, the track is a masterclass in melodic house. While it retains the polished rhythm of hits like ‘Shiver’, there is an undeniable grit here. Julia’s voice drifts over a darker, wistful bassline that mirrors John’s own journey from the monochrome world of accounting to the vibrant, often lonely, heights of global stardom. It is a sophisticated, emotive standout.
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Built on breezy tropical textures and a steady deep house pulse, ‘Enchanted’ aims squarely for sunlit escapism and mostly hits the mark. Mentum’s track glides with an easy, coastal charm. There’s a gentle nostalgia in its melodies, like a late-evening drive with the windows down. While it doesn’t radically reinvent the genre, its sincerity keeps it engaging. The duo’s blend of pop instincts and dance sensibility feels natural, not forced. ‘Enchanted’ thrives in its simplicity.
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‘Conor’ is the high-octane focus track from MAMI UMAMI’s EP AFTERwork, is a frantic, genre-blurring distillation of modern restlessness. Malmö duo fuses hip-hop grit with drum & bass velocity. Jaquelin Elamiri and Leonard Furby trade bars in English and Swedish, blending internet-age absurdity with a deep yearning for club-born community. It captures the precise moment where burnout meets the dancefloor. It’s a subversive rebellion against surveillance and adulthood. Raw, unpredictable and pulsing with the energy of their legendary live shows, ‘Conor’ proves that for MAMI UMAMI, leaning into the chaos is the only honest response to a hyper-connected world.
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Built on a propulsive, hypnotic groove, ‘Die Empty’ is a track that feels like a rhythmic defiance of entropy. Rather than leaning on lyrics, 2ŁØT utilizes ghostlike vocal textures to add an emotional, haunting undercurrent. True to their nam (a strike-through of the 2nd Law of Thermodynamics), the track feels intentional and full of life. It’s an immersive glimpse into their sonic world, where improvisational soul meets electronic precision, leaving an unshakable impression.
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On newest release ‘Sun’, Aeonya radiates a carefully balanced warmth, blending introspective songwriting with bright, danceable production. Rooted in electro-pop and deep house textures, the track pulses with a steady optimism that never feels forced. There’s a quiet sincerity in the vocal delivery, echoing the emotional clarity of artists like Sam Fender, while still carving out its own identity. The chorus lifts without exploding, choosing glow over fireworks. ‘Sun’ is about gentle renewal, offering a moment of light that lingers long after the final note fades.
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‘One Night In Mykonos’ is a sun-drenched intersection of afro-house rhythms and chilled melodic polish. TWOPILOTS (Junior Caldera and Ken Roll) leverage their chart-topping expertise to craft a rolling bassline that feels tailor-made for open-air decks. Complementing the groove, Toby Rose infuses the track with his signature summer vibes, while One Trick Pony provides a warm, soulful vocal that anchors the production. It’s a sophisticated piece of holiday energy that transitions seamlessly from a golden-hour sunset to a deep, rhythmic night out. This collaboration is a quintessential summer anthem.
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Drawing from Romanian folk roots, tMikaji’s new track ‘Pădure’ drifts through chill house atmospheres and a restrained deep house pulse, letting its ancestral melody breathe. There’s a haunting stillness to it, as if the forest itself is listening. Rather than overpowering the source material, Mikaji builds around it with patience and reverence. The result is quietly transportive. It’s modern yet ancient, intimate yet expansive. ‘Pădure’ lingers like mist between trees, carrying echoes of the past into a calm, contemporary rhythm.
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With their latest EP, Growing, Berlin-based duo Théatrophone delivers a compelling sonic diary of their four-year evolution. Our attention is drawn to title-track ‘Growing’, which anchors the record in sophisticated melodic techno with a pulsing, emotional depth. Moving beyond their Berlin roots, the duo encompass a global sound that feels both intentional and raw. As the curtain continues to rise on this dynamic project, the new EP makes a bold, genre-defying statement.
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