Indie Kids: VERA, SUNTWIST, Dellwood, J. Killen, CAYU, Norrá Hill, Joshua Hawkes, Strawhouses, ORAEN

Our Indie Kids playlist celebrates everything on the indie spectrum, whether that’s rock, folk or pop, because we firmly believe in taking a little walk off the beaten track every once in a while.


‘Sweet Things’ is a fiery alt-pop anthem that finds beauty in the chaos of imperfect relationships. Bursting with gritty guitars, infectious hooks and an explosive chorus, VERA’s latest track balances emotional intensity with a playful sense of dark humour. The Belfast band captures the complicated space between self-destruction and devotion, celebrating the fleeting moments that make love feel worthwhile. With vivid storytelling and a sound that blends indie textures, pop accessibility and alt-rock energy, ‘Sweet Things’ showcases VERA’s ability to turn heartbreak into something vibrant and exhilarating. This marks an exciting step forward for the rising act.

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Phoenix-based indie rock outfit SUNTWIST delivers an anthemic slice of nostalgic vulnerability with their latest single ‘Man I Wanna Be’. Blending the raw grit of The Strokes with Tame Impala’s atmospheric textures, the track explores the bittersweet divide between self-doubt and how our loved ones perceive us. Shimmering electric guitars, driving rhythms and Logan Mullert’s soaring vocals create a warm, lived-in soundscape that feels both intimate and expansive. Marked by striking creative chemistry, this release highlights a band coming into their own. ‘Man I Wanna Be’ is a compelling, sun-soaked turning point for one of Arizona’s most promising rising acts.

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Beginning with the intimacy of a backyard voice memo, ‘Where We Found Each Other Again’ gradually unfolds into a rich tapestry of layered acoustics, subtle production and heartfelt vocals. It’s a deeply moving indie-folk ballad that transforms personal longing into a beautifully immersive listening experience. Inspired by Minnesota’s North Shore, its imagery of rugged landscapes, quiet trails and distant connections adds a cinematic sense of place. Dellwood (aka Chris Bartels) captures the delicate balance between absence and reconnection, creating a song that feels both deeply personal and universally relatable. ‘Where We Found Each Other Again’ is a tender reflection on love, memory and finding your way back.

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Austin-based Americana singer-songwriter J. Killen confronts mortality with quiet, weathered grace on his haunting single ‘Oak Tree’. Emerging from a dark past of addiction and loss, Killen channels a hard-won clarity into a stark, spacious alt-country ballad. Against lumbering drums and weeping pedal steel, his bloodshot, worn vocals deliver a poignant plea to ease the burden of grief for those left behind. Reminiscent of Son Volt and early Ryan Adams, the track balances bleakness with cathartic release. ‘Oak Tree’ is a deeply personal, emotionally raw release that proves J. Killen has transformed his scars into enduring art.

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Built around infectious grooves, dynamic instrumentation and a powerful rhythmic pulse, ‘Afterlight’ is a vibrant fusion of funk, rock, and soulful energy that showcases the artist’s genre-bending approach to modern music. The track captures the Cayu’s ability to make music that feels both technically impressive and emotionally engaging. Drawing from his jazz education, Spanish roots and deep appreciation for diverse sounds, the Madrid-based, Mexico-born artist crafts a distinctive sonic identity that refuses to sit neatly in one category. ‘Afterlight’ is a bold, groove-driven offering filled with movement, personality and spirit.

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US-German indie-pop duo Norrá Hill delivers a sleek, emotionally grounded gem with ‘Black Car’. Anchored by Frank Lechtenberg’s propulsive, chorus-drenched bass and signature jangly guitars, the G-minor track contrasts shimmering 80s dream-pop textures against the quiet ache of expensive loneliness. Kari Ehli’s vocals shift effortlessly between composure and vulnerability, capturing the truth that luxury means nothing without the right person to share it with. Eschewing atmospheric stillness for rhythmic momentum, ‘Black Car’ perfectly balances C86-inspired nostalgia with modern precision. It is a stunning, introspective ride that proves money can buy comfort, but never connection.

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Inspired by the likes of The War on Drugs and Sam Fender, ‘Feel No More’ blends driving guitars, atmospheric production and honest songwriting is all about the search for peace amid overwhelming moments. Recorded after a transformative period in Joshua Hawkes’ life, the song carries a raw sense of vulnerability and authenticity. It’s a heartfelt indie rock release that channels personal struggle into an expansive and emotionally resonant anthem. With its soaring melodies and reflective lyricism, ‘Feel No More’ introduces an artist unafraid to confront difficult emotions while building a compelling new chapter of guitar-driven indie music.

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UK outfit Strawhouses transforms bittersweet nostalgia into pure catharsis on ‘No Other Way Round’, the lead single from their second album, Time in the Light. Originally penned in 2009, this former acoustic ballad blossoms into an immediate, uplifting indie-rock anthem without losing its emotional core. Exploring a relationship severed by ambition rather than a lack of love, Paul Straws’ songwriting turns a painful fork-in-the-road moment into a celebrated leap of faith. Mixed by Guy Massey, the track pairs cinematic depth with raw band energy, offering a vibrant, life-affirming reminder that choosing your dreams often means leaving heartbreak behind.

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Beginning with intimate, heartbeat-like synths, ORAEN’s ‘After All’ steadily builds into a cathartic explosion of crushing guitars, soaring vocals and emotional intensity. It’s a powerful alternative rock anthem that transforms grief and uncertainty into a message of resilience. Inspired by conversations around depression, purpose and survival, the song captures the difficult journey from hopelessness toward hope with striking honesty. Michael Roane’s ability to balance vulnerability with punk-fuelled energy gives ‘After All’ its impact, creating a track that feels both deeply personal and universally relatable. As the final preview of ARC TWO // PROPHECY X FAILURE, it signals an exciting new chapter for ORAEN.

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