Purple Pop: Ruel, CASANDRA, Estella Dawn, Bella Rios, Carlos Llanes, Ava Valianti, Asha Jefferies, Maryn Charlie, Filiah, Nico Bleak

In the ancient world, purple was originally the colour reserved for the imperial families of Rome, Persia and Egypt and while it’s no longer elitist, there’s still something special to be had to the red-meets-blue hue. Our Purple Pop selection showcases the most luxurious, beautiful and unmissable pop music finds for our ears to yours.


Pairing sleek pop production with a raw emotional core, ‘Hate Myself’ is a striking evolution of Ruel’s signature vulnerability. Co-written with Kenny Beats, the track balances polished hooks with confessional lyricism, capturing the exhausting pull of a toxic relationship. Ruel’s vocal delivery feels both restrained and aching, elevating the song’s internal conflict. While it leans into familiar themes, ‘Hate Myself’ stands out for its honesty and subtle sonic risks, hinting at a more mature artistic direction. It’s a compelling glimpse into the darker, more introspective side of his upcoming project.

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Serving as the final precursor to CASANDRA’s ISLA TRANQUILITA EP, the atmospheric alt-pop track ‘WANT VS NEED’ leans into ethereal, cinematic production to dissect the friction between societal conditioning and raw intuition. Her vocals float with a ghostly weight, navigating the psychological debris of childhood expectations. Collaborating with producer Jaye Locke, CASANDRA transforms personal vulnerability into a universal reclamation of the inner voice. It is a sophisticated, bilingual evolution for the Miami-born artist that feels both fragile and invincible.

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As a blog that’s followed Estella Dawn’s rise closely, ‘Thanks For Asking’ feels like one of her most cutting releases yet. Draped in sardonic wit and emotional precision, the track dissects post-breakup grief that lingers long past its welcome. Estella’s self-produced sound remains intimate and sharp, echoing shades of Gracie Abrams and Taylor Swift while staying distinctly her own. It’s the small, painfully relatable details that land hardest. It’s clear that Estella Dawn thrives when she leans fully into uncomfortable honesty.

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Nashville’s Bella Rios continues her ascent with ‘Daydream’, a vibrant anthem that masterfully bridges glossy pop and nostalgic, country-tinged alt-rock. Following her recent collaboration with producer mulsh, this track signals a more self-assured era for the Princeton grad. Rios, a vocal powerhouse influenced by legends like Fleetwood Mac and Adele, delivers vocal gymnastics that feel both effortless and urgent. The production is shimmering and expansive, yet the songwriting remains grounded in Gen-Z resilience. With an infectious bridge destined for viral loops, ‘Daydream’ is a soaring testament to Bella’s ability to turn personal growth into a universal, repeat-worthy earworm.

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Carlos Llanes steps into striking vulnerability with ‘Blanco y Negro’, an orchestral ballad that feels both intimate and cinematic. Built around the aching refrain “cuando te fuiste se me fue el color,” the track uses stark imagery to mirror emotional loss with haunting clarity. Carlos’ vocal performance is restrained yet deeply expressive, floating over elegant, slow-burning arrangements. The production expands his pop sensibilities into something more timeless and reflective. It’s a quietly powerful release that lingers, proving his strength lies not just in melody, but in raw, unfiltered emotion and storytelling.

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Ava Valianti’s latest single ‘The Conversation’ is a devastatingly sharp exploration of the emotional limbo between empathy and exit. It leans into a sophisticated pop-rock soundscape to frame the guilt of being the one to walk away. Valianti’s vocals strike a perfect balance between indie edge and aching vulnerability. She captures the claustrophobia of rehearsed truths and delayed honesty with poetic precision. It is a bold, unmistakably original look at the heartbreak of misalignment.

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Recorded in London with producer Tom Iansek, ‘Backwards Baby’ marks a stunning expansion of Asha Jefferies’ indie-rock and folk-pop craftsmanship. Moving beyond the melancholic coming-of-age themes of The Pinnacle, Asha pivots toward a sound that is both more expansive and deeply intimate. The track serves as a poignant confrontation with the tragedy of loving someone tethered to the past. Asha’s gift for idiosyncratic arrangements shines as she explores the freedom of reclaiming her own body and boundaries. It is a sophisticated, gut-trusting anthem that transforms the pain of a one-sided pattern into a vibrant, living-in-the-present liberation.

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Maryn Charlie’s focus track ‘Hit By Lightning’ from her new EP, Threads, captures the quiet desperation of wanting to be seen with striking clarity. Built on a slow-burning arrangement, the song mirrors the tension of stepping out from invisibility into self-acceptance. Maryn’s vocal is raw and restrained, gradually swelling with emotion as the track unfolds. There’s no forced drama, it’s just honest storytelling that lands hard. As the emotional centerpiece of the EP, it highlights her gift for turning vulnerability into something powerful, relatable and ultimately cathartic.

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Vienna-based artist Filiah delivers a bold, driving alt-pop revelation with ‘Method Acting’, the final single before her album, A Deep Breath Out. Channeling her inner teenager, the track explores stages of female rage through an infectious blend of shimmering guitars and atmospheric synths. Reminiscent of Hayley Williams and Men I Trust, Filiah’s songwriting is a slow-burn that rewards self-reflection. While the production is expansive and cinematic, the lyrics remain raw and profound, encouraging listeners to take up space. It is a powerful, hope-tinged anthem of emotional digestion from one of indie-pop’s most compelling new storytellers.

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Swathed in distorted guitars and ghostly choral textures, Nico Bleak’s single ‘Divine Widow’ is a hypnotic dive into obsession and emotional erosion. The track builds a shadowy alt-pop atmosphere that feels both intimate and unsettling. Bleak’s vocal floats between fragility and quiet intensity, mirroring the slow unraveling at the song’s core. Echoes of Lana Del Rey linger, but her perspective feels distinctly her own. ‘Divine Widow’ is an immersive, cinematic debut that signals a compelling new voice in dark pop.

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