Our Indie Kids playlist celebrates everything on the indie spectrum, whether that’s rock, folk or pop, because we firmly believe in taking a little walk off the beaten track every once in a while.
Our first Indie Kids installment is Chloe Foy’s unmissable ‘Complete Fool’, a beautifully candid single that blends rock-tinged alternative folk with emotional clarity and sonic richness. With strings, layered harmonies, and intimate lyricism, Chloe navigates the complexities of love, identity, and mental health with both vulnerability and wit. The title-track offers a tongue-in-cheek take on emotional imbalance in relationships, while the album as a whole embraces imperfection as strength. Recorded at Echo Zoo Studios, the relaxed setting and Dave Izumi’s guidance allow Chloe Foy’s songwriting to bloom. ‘Complete Fool’ is a bold, honest reflection of life’s messiness.
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From Talking To Strangers, standout single ‘Forget It For Good”’is a shimmering indie folk anthem that blends wistful nostalgia with cathartic release. Built on dreamy synth textures, layered harmonies, and propulsive drums, Marti West’s track captures West’s signature blend of introspection and emotional clarity. His soft, evocative vocals carry themes of letting go and finding peace, creating a delicate balance between melancholy and hope. With roots in both Tuscany and the UK, Marti West channels his multicultural artistry into a sound that feels both intimate and expansive.
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Mcbaise unveils ‘Alice’, a dreamy, vaporwave-laced single that feels like a slow descent into a surreal wonderland. Built around a moody bass loop, the track grows gradually, holding back guitar layers to create a lush sense of contrast. Synths shimmer through a hazy soundscape, inviting listeners on an introspective sonic journey. Paired with a stunning animated video by mcbess, following a hiker’s unexpected adventure, ‘Alice’ is more than a song; it’s a full-blown experience. With a toy, clothing line, and vinyl release to match, Mcbaise blends music, art, and storytelling into a cohesive, immersive world that fans won’t want to leave.
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Perfectly blending 80s nostalgia with fresh, funky elements, ‘I’m In Heaven’ is a dreamy, escapist track. Martijn ‘Tienus’ Konijnenburg, the Dutch dynamo behind Goldkimono, delivers a song that feels both emotional and danceable, much like his previous singles ‘Lifetime’ and the album’s title track. Co-produced by Tim Bran, the song features a distinctive guitar line and lush backing vocals that create an immersive listening experience. ‘I’m In Heaven’ beautifully captures that liminal space between dreams and reality, inviting listeners into a sonic journey they won’t want to wake up from.
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With dreamy textures and an almost weightless atmosphere, ‘Emilie’ quietly unpacks the crushing effects of societal pressure through the lens of a fractured love story. Charlie Costa’s storytelling is rich with longing and emotional clarity, capturing both the sadness of lost potential and the strange liberation in facing it head-on. It’s a shimmering contradiction, between light in sound, heavy in soul. His delicate vocal delivery floats above subtle instrumentation, allowing pain and beauty to coexist. ‘Emilie’ is a whispered rebellion wrapped in melody, reflecting the depth and vulnerability that define Charlie Costa’s recent artistic rebirth.
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‘VIOLET’ is a dark alt-pop track that brilliantly skewers the digital age’s curated reality. Inspired by Black Mirror, Glass Mansions explores the “static void” of our online personas and the hypnotic pull of doomscrolling. Jayna Doyle’s sultry vocals lead a lyrically tongue-in-cheek descent into the “fake joy of a digital brainwash.” With chaotic synths and a cinematic feel crafted with producer Taylor Webb, ‘VIOLET’ is a propulsive and intelligent piece that captures the madness of our online existence, perfectly capping their recent trilogy.
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The Bankes Brothers deliver a compelling indie rock anthem with ‘Nobody’, produced by the legendary Gus van Go. This introspective track dives into themes of identity, imposter syndrome, and outward perception, making it instantly relatable. The Canadian quartet showcases their signature blend of irresistibly catchy melodies and exhilarating vocals, driven by a tight indie-rock instrumentation. ‘Nobody’ hints at the dynamic evolution of their sound, retaining their youthful energy while offering a more reflective, yet still powerfully engaging, rock experience.
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From katie phelan’s upcoming Blues and Greens EP, ‘bug’ is a charming and relatable indie-pop meets folk single. Inspired by her own overthinking, the songwriter humorously adopts the perspective of a bug to diminish overwhelming stress. The endearing lyrics playfully poke fun at anxious thoughts. With an honest vulnerability reminiscent of Billie Marten, ‘bug’ offers a reassuring hug to anyone navigating new life chapters. It’s a delightful and fun listen that transforms daily worries into a lighthearted, yet deeply empathetic, musical experience.
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OceanHeir (Damian Kotwica and Milky Chance’s Antonio Greger) and Summerland Feels (Ian Musgrove) have combined forces for ‘Lost’. It’s a captivating alternative track infused with summery romance. The song blends indie-pop sensibilities with hints of reggae and alt-rock. Damian’s polished production lays a lush backdrop for Antonio’s distinctive vocals, while Ian’s influence likely adds to the track’s melodic charm and emotional depth. ‘Lost’ feels like a sun-drenched, introspective journey, perfectly capturing the bittersweet essence of summer love.
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‘Live Your Light’ is a radiant burst of joy from Dolo Tonight. It’s a carefree indie-pop anthem that urges listeners to ditch expectations and embrace their weird, wonderful selves. With sun-soaked production, a soaring chorus, and lyrics brimming with youthful defiance, the track sets the tone for Dolo’s upcoming album, DVD Rental Store. It’s playful, chaotic, and unapologetically earnest, blending the offbeat charm of Passion Pit with a modern, TikTok-ready twist. Known for his quirky stunts and anti-pop ethos, Dolo Tonight continues to carve a space for the outsiders.
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