In the ancient world, purple was originally the colour reserved for the imperial families of Rome, Persia and Egypt and while it’s no longer elitist, there’s still something special to be had to the red-meets-blue hue. Our Purple Pop selection showcases the most luxurious, beautiful and unmissable pop music finds for our ears to yours.
Our Purple Pop playlist this week starts off with CatchTwentyTwo’s ‘He Doesn’t Love You’, which is the first single from the exxxtreme disco project, one that blends vintage and modern sounds. Produced by the artist, the track features a mix of VSTs and instruments, including the Roland JD-08 and JX-08. Lyrically personal and born from loss, the song has a lush feel. CatchTwentyTwo’s soft, sullen vocal style conveys deep emotion, reminiscent of influences like Michael Jackson and Prince, while maintaining a modern sensibility. The song expresses a willingness to do anything for a lost love.
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‘tears & wishes’ is a hypnotic indie pop gem, fusing dreamlike lyricism with Western-tinged production. Sawyer Utah’s laid-back groove and emotionally rich chorus create a cinematic atmosphere, perfect for introspective drives or twilight transitions. At just 24, Sawyer’s artistry shines – melding heartfelt storytelling with polished, self-produced soundscapes. His Jack Antonoff-esque versatility is on full display, and ‘tears & wishes’ feels both intimate and expansive. Rooted in his early DIY beginnings and honed in Nashville’s creative scene, the song reflects Sawyer Utah’s rising presence among genre-blending talents like Dominic Fike and Holly Humberstone. It’s both a wish and a promise.
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From Jarki Monno’s deeply personal EP Not What It Looks Like, ‘something good’ is a tender, emotional high point. Written with close friend St Luna and featuring family and friends in its moving video, the song radiates hope and healing – like a quiet embrace after a long storm. Jarki’s gentle vocals and stripped-back production give space for raw vulnerability, reflecting his journey through grief and self-discovery. It’s a poignant reminder of the power of connection and kindness, delivered with sincerity and grace. With this release, Jarki Monno solidifies his place as one of the UK’s most heartfelt, genre-defying voices.
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In collaboration with Cub Sport, Pearly Drops releases ‘Mermaid’, a gorgeously surreal dive into dreamlike decay. Opening with shimmering guitar riffs and warped vocals, the track blends indie rock and electronic textures with haunting elegance. A glitchy drum groove builds toward an ambient, wordless finale – an operatic fade-out that feels more celestial than earthly. Inspired by the faded glamour of Hollywood, ‘Mermaid’ reimagines fantasy in the shadows, painting beauty in decline. Ethereal and mysterious, it’s a track that defies easy classification, floating between melancholy and magic. With ‘Mermaid’, Pearly Drops continue their ascent as cult icons of the avant-pop realm.
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Queen Anne’s debut single ‘Real Enough’ bursts onto the scene with a captivating blend of 80s pop-punk energy and a distinctly modern edge. Katie Silverman’s ethereal vocals, layered over Sandy Chila’s darkly addictive production, create an intriguing soundscape. Inspired by a cheesy chicken sandwich mishap (or so they claim!), the lyrics possess a quirky charm that hints at deeper frustrations. Katie’s established creative background shines through, transforming a mundane moment into a compelling narrative. ‘Real Enough’ is a promising introduction to Queen Anne’s unique and imaginative musical world, leaving listeners eager for more from this dynamic duo.
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After a five-year hiatus, Newton Faulkner storms back with ‘Alright Alright Alright’, a bold reinvention that signals a fearless new era. Swapping his signature acoustic sound for gritty basslines and swaggering energy, the track pulses with playful rebellion and unfiltered joy. Featuring icy, surreal vocals from Ukrainian duo The Bloom Twins, it’s a sharp sonic left turn that embraces freedom and creative risk. Newton sounds reborn – less polished troubadour, more unapologetic innovator. ‘Alright Alright Alright’ is loud, weird, and entirely refreshing. It’s a confident first step toward OCTOPUS, and one of Newton Faulkner’s most exciting releases yet.
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Alt-pop gem ‘Without Breaking Apart’ is the powerful, gritty and emotionally charged lead single from Daniella Binyamin’s Poetry 1992 EP. Driven by the artist’s signature vulnerable yet energetic vocals, the track explores the complexities of love without self-loss. Acoustic textures collide with sharp electronic elements, creating a compelling and danceable soundscape. This raw and unfiltered song, years in the making, perfectly encapsulates the EP’s theme of turning pain into poetry. With its national radio airplay pedigree, ‘Without Breaking Apart’ firmly establishes Daniella as an artist with a distinctive and resonant voice.
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Blending disco-drenched synths with tongue-in-cheek lyrics about the irresistible pull of a toxic relationship, Zac Tenenbaum’s ‘Blue Lights’ is a sparkling slice of summer pop. With groove-heavy bass lines and a carefree, flamboyant energy, the track turns heartbreak into a danceable spectacle. Zac’s eclectic backstory, spanning Tijuana to Paris to Miami, infuses the song with quirky charm and undeniable flair. Think heartbreak on roller skates, speeding through neon streets. The production is as eccentric as it is infectious, with layered textures and playful sonic details that elevate the drama. ‘Blue Lights’ is chaotic love, wrapped in a glitter bomb of pure fun.
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‘OMG’ is a hypnotic and sexy electro-pop anthem, showcasing Ceara Cavalieri’s knack for crafting irresistible tunes. The track dives into themes of bad decisions and late-night cravings, driven by Ceara’s assured vocals and a polished production that echoes the best of 2010s electro-pop, yet feels modern. With its infectious melodies and catchy hooks, ‘OMG’ is designed for dynamic playlists. Ceara Cavalieri’s ability to blend emotional intensity with club energy solidifies her status as a creator of powerful, danceable pop.
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WILD’s shimmering indie-pop anthem blends cinematic folk flourishes with heartfelt sincerity. Originally written for an animated feature, ‘Song In My Heart’ stands tall on its own, radiating the trio’s signature Los Angeles-bred optimism and emotional storytelling. Delicate harmonies and soaring melodies evoke both longing and hope, anchored by lush production and earnest lyricism. It’s a sonic love letter to holding on when everything feels uncertain. WILD continues to craft vibrant, emotionally resonant music that feels ready for both film soundtracks and open highways. ‘Song In My Heart’ is a glowing reminder of why their sound endures.
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PURPLE MELON 