Our Indie Kids playlist celebrates everything on the indie spectrum, whether that’s rock, folk or pop, because we firmly believe in taking a little walk off the beaten track every once in a while.
‘Raise Your Glass’ is a tender indie pop reflection on celebrating through emotional exhaustion. Instead of a typical party anthem, Elliot Tellman offers a quiet toast to survival, healing, and staying present when everything feels heavy. Dreamy electronic textures and soft beats create an intimate atmosphere, while Elliot’s vulnerable vocals capture the ache of pretending to be okay. The track explores emotional duality — finding small moments of light while feeling broken inside. Honest and understated, ‘Raise Your Glass’ is like a gentle reminder that simply showing up can be a victory in itself.
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Limón Limón delivers a sun-drenched escape with their latest single ‘A Place Like Tokyo’. The LA-based duo, Jason and Rand, masterfully blend West Coast warmth with a yearning for far-off horizons. Sonically, the track is a masterclass in texture, stacking vintage Juno and Prophet synths over a butter-smooth bassline and tube-amp guitars. It’s a future indie gem that feels both nostalgic and forward-thinking. The lush, analog production creates a contemplative atmosphere perfect for travel or chill-out playlists. If you’re looking for a fresh perspective on feel-good alt-pop, this track is your ticket to a dreamlike Tokyo.
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Built on a heartbeat-like pulse, ‘Falling Apart’ blends hypnotic synths, reverb-drenched guitar that’s distinctive of ARK IDENTITY’s late-night indie pop sound. Capturing modern heartbreak in the digital age, Noah Mroueh’s ethereal vocals to mirror the emotional distance created by screens and text messages. The intentionally imperfect production, complete with low, rumbling interference in the chorus, reflects how messy and disorienting love can be. Recorded in a single session, the song feels raw and unfiltered, as if every emotion spilled out naturally. ‘Falling Apart’ finds beauty in vulnerability, turning digital disconnect into something deeply human.
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Nathaniel Sutton and Lily Monaghan’s ‘Hurricane’ is a stunning indie folk duet that unfolds with quiet power. Opening with gentle acoustic guitar and Sutton’s warm, reflective vocals, the track slowly builds as Lily’s velvety voice enters, adding emotional depth and contrast. By the final chorus, their harmonies swell into a cinematic moment that feels both intimate and expansive. The song captures the calm before emotional storms, blending vulnerability with quiet resilience. Nathaniel’s poetic songwriting pairs beautifully with Lily’s hypnotic delivery, creating a rich, heartfelt listening experience. ‘Hurricane’ showcases the magic of collaboration and the strength found in shared storytelling.
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Written amidst long days on a cattle ranch in Los Alamos, Stefan J. Selbert’s latest track ‘Western Wallflower’ is a stunning collision of rural grit and bedroom-pop intimacy. The track captures a “woozy lo-fi groove” that feels as expansive as the California landscape. This rancher-turned-songwriter channels a sombre yet hopeful atmosphere through whispered, warm vocals that soften the senses. The production seamlessly blends indie-folk storytelling with a steady, hypnotic rhythm that invites listeners into its distilled paths. The standout bridge elevates the song from a simple lo-fi sketch to a sophisticated piece of modern americana. It’s the perfect soundtrack for early mornings or a quiet drive.
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Recorded at the iconic Sawmills Studio with legendary producer John Cornfield, Wild Oceans’ latest single ‘The Fear’ is a masterclass in modern alt-rock reinvention. The track pulses with the grit and pedigree of a band that knows how to play live and loud. Driven by anthemic guitars and a hauntingly raw vocal performance, the song captures the turbulent transition into adulthood. It balances the quiet panic of loss with a melodic resilience reminiscent of Biffy Clyro or Nothing But Thieves. With its massive riffs and swelling arrangement, ‘The Fear’ is a powerful anthem for those navigating life’s unsteady paths.
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‘Berlin, I Guess’ is a candid indie-pop confessional that captures the emotional burnout of modern dating. With crystal-clear vocals and lingering harmonies, Darlin’s track balances catchy energy with raw vulnerability. Darlin paints a relatable picture of meeting people who don’t truly care, slowly growing numb, and unintentionally repeating the same patterns. The production is sleek yet intimate, allowing her honest lyrics to shine. It’s reflective, slightly cynical, but undeniably human. ‘Berlin, I Guess’ speaks to anyone navigating love in their twenties, offering comfort through shared experience rather than empty advice.
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Built on hazy guitars, soft percussion, and floating melodies, ‘slow dancing’ moves at an unhurried pace that feels like time slowing down. Walking Hours’ shimmering shoegaze-dream pop gem conveys the band’s ethereal Minnesota spirit. Liv Hedley’s delicate vocals glide through a lush soundscape, balancing intimacy with atmosphere. The song explores inner conflict versus outer calm, reflecting the quiet battles we carry beneath peaceful surfaces. The production wraps everything in a warm, reverb-soaked glow, creating a liminal space where emotions drift freely.
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Hailing from Vancouver, the emerging singer-songwriter and producer Lucas Davies crafts a soundscape that feels both expansive and deeply personal. Drawing on the atmospheric vulnerability of Bon Iver and the polished intimacy of FINNEAS, this rising artist uses ‘Siren’ to showcase his evolution into more complex, evocative production. The track centers on his signature introspective lyricism, wrapped in subtle, shivering melodies that linger long after the final note. It’s a hauntingly beautiful exploration of the magnetic pull of love and the inevitable ache of loss. With its blend of raw, indie-folk storytelling and modern, ethereal textures, ‘Siren’ is a standout moment for an artist clearly hitting his stride.
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PURPLE MELON 