Get ready for a Min Melon Mix Up! We’re serving up the freshest tracks, think irresistible hooks, smooth vibes, and everything in between. Whether you’re hitting the dance floor, deep in your feelings, or just kicking back, this mix has the perfect sound for every mood.
A euphoric burst of modern pop perfection, ‘So Good’ is the standout single from elijah woods’ debut album Can We Talk?. Anchored by elijah’s smooth vocals and glossy, anthemic production, the song captures the intoxicating thrill of new love, the kind that turns the ordinary electric. With its soaring chorus and polished hooks, ‘So Good’ feels tailor-made for stadium sing-alongs yet retains the emotional intimacy that defines elijah woods’ songwriting. It’s both heartfelt and irresistibly catchy, showcasing his knack for crafting pop that’s as honest as it is infectious. ‘So Good’ is a full-body rush of joy.
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Elise Trouw sheds her viral looping persona with the bold, genre-blurring single ‘All You Need Is Lust’. the lead track from her satirical concept album, The Diary of Elon Lust. The song introduces Elon Lust, a fictional male alter ego embodying weaponized likability and entitlement, turning the famous Beatles line into a sharp, tongue-in-cheek mantra. Over a hypnotic groove and layered vocals, Elise delivers her most honest, yet unsettling, work to date. The accompanying music video is a surreal, Bosch-inspired fever-dream featuring cherry-headed dancers and giant boob costumes, deliberately leaning into discomfort. This provocative and visually arresting chapter marks a radical and necessary creative risk for Elise Trouw, transforming personal experience into a sharp, funny, and deeply resonant commentary.
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Dax’s new single ‘Diary of an Alcoholic’ is a raw, gut-wrenching confessional that blurs the line between rap and poetry. Stripped of bravado, Dax delivers an unflinching look at addiction, self-destruction, and redemption. His storytelling is gripping with each verse feeling like an entry torn straight from his soul, balancing lyrical precision with emotional chaos. The repetition of “all it takes” becomes a chilling mantra, tracing the spiral from escape to regret. Backed by haunting production and powerful wordplay, Dax turns pain into purpose, offering not glamorization but warning. ‘Diary of an Alcoholic’ is his most vulnerable and impactful work yet.
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Havana-founded, LA-based duo MYRANDAS make a striking return with the sensual single ‘La Habitación’. The track immediately immerses listeners in a world of raw, unfiltered desire, built on a sophisticated fusion of Caribbean rhythms and magnetic melodies. Vocalist Kristina Miranda and multi-instrumentalist Marciel Miranda deftly blend Latin pop and urbano, driving the song with infectious reggaeton energy. The production is rich, weaving in distinctive textures like the requinto Dominicano and subtle electronica, highlighting their unique sonic signature. Capturing the chemistry and freedom of connection, ‘La Habitación’ is a captivating, emotionally charged track that confirms MYRANDAS’ growing influence in the Latin music scene. It’s a compelling sonic invitation you won’t want to refuse.
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Shimmering with irresistible indie-pop charm, ‘fake it’ is Josh Fudge’s deft pairing of groovy basslines and lush retro synths with wistful vocals that ache for real connection. The track balances warmth and melancholy, wrapping introspection in a danceable, analog-driven groove. Josh’s meticulous production and multi-instrumental prowess shine, creating a sound that feels both nostalgic and refreshingly modern. ‘fake it’ captures the tension between authenticity and facade, a theme delivered with effortless cool and emotional sincerity. As the second single from his upcoming album little league, it cements Josh Fudge as a rising voice redefining the boundaries of bedroom pop with vibrant, timeless flair.
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Annah Marcelle’s single ‘Blind’ is a compelling showcase of the Richmond, Virginia singer-songwriter’s ability to merge catchy melodies with relatable storytelling. The track sits comfortably at the intersection of electro-pop and alt-pop, delivered with the refined polish. ‘Blind’ offers an accessible and infectious sound, focusing on the honest intricacies of relationships and life experiences, themes Annah has explored extensively across her prolific catalog. The production is sharp, driving forward with an appealing beat that perfectly complements her grounded, genuine lyrics. As she continues to build her career, ‘Blind’ confirms Annah Marcelle’s skill in creating emotionally resonant and highly listenable modern pop music.
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‘On My Mind’ is a lush, soulful R&B ballad that lingers long after the last note fades. Alyssa Jane’s stunning vocals glide effortlessly over SV’s warm, velvety production, capturing the ache of love that refuses to fade. The track blends classic soul sensibilities with modern polish, evoking the emotional depth of artists like H.E.R. and Daniel Caesar. Every lyric feels intimate and lived-in, delivered with sincerity and control that draw the listener closer. Perfect for late-night reflection or love song playlists, ‘On My Mind’ is a timeless meditation on longing, connection, and the haunting beauty of remembering someone you can’t forget.
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Chronicling the journey of learning to be whole alone before seeking lasting love again, Alanna Matty shares ‘Last’, a deeply honest exploration of finding stability after heartbreak. The song begins cautiously, driven by a sparse acoustic rubber bridge guitar, mirroring the lyrical vulnerability. As the track progresses, it builds into a lush playground of slide guitar, piano, and vocal harmonies, signaling a rise of optimism and confidence. Serving as the second single from her upcoming album Epilogue, ‘Last’ beautifully captures Alanna’s personal and artistic growth. Inspired by artists like Feist and Lizzy McAlpine, it wears its heart on its sleeve, establishing itself as a compelling and resonant modern folk-pop track.
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In recent single ‘Alone by the summer’, Grace Kinter’s sultry vocals float over lush, soulful instrumentation, creating an atmosphere that’s both intimate and cinematic. It’s a smooth, moody R&B gem that feels like a late-night confession wrapped in velvet. The track’s retro-soul undertones blend seamlessly with modern production, pulling listeners deep into its emotional current. Grace’s lyricism is raw and transparent, exploring solitude, self-reflection, and the ache of emotional distance with poetic honesty. It’s the kind of song that lingers, perfect for quiet moments with dim lights and a glass of wine. ‘Alone by the summer’ cements Grace Kinter as a rising neo-soul storyteller.
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‘Touché’ is a beautifully realized piece of dream-pop shoegaze, serving as a heartfelt love letter to Marina Yozora’s dedicated community. The single captures the profound gratitude she felt while transitioning from her sold-out Tokyo show to the UK scene. Yozora’s signature whispery, husky voice glides effortlessly over vast, dreamy guitar sounds, enveloping the listener in an atmospheric soundscape that feels both intimate and expansive. Written during an early morning moment of clarity, ‘Touché’ is a sincere and transportive reply to the support and trust she receives. It’s an ethereal, captivating experience that solidifies her place as an artist to watch in the London music scene.
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PURPLE MELON 