Get ready for a Min Melon Mix Up! We’re serving up the freshest tracks, think irresistible hooks, smooth vibes, and everything in between. Whether you’re hitting the dance floor, deep in your feelings, or just kicking back, this mix has the perfect sound for every mood.
Captivating live single ‘Maybe It’s November’ is an affecting, raw statement that cuts through the polish of Lily DeTaeye’s studio work. The track is a weary, unvarnished lament on seasonal darkness and lost love, delivered with striking clarity and restraint. Its lamenting guitar lines evoke a Jeff Buckley sensibility as DeTaeye sings through a fog of lethargy, using the onset of winter as hollow comfort for the deep sadness of a love long gone. This track, previewing her Studio 3 Live From PBS Iowa album, captures the warmth and presence of her band, grounding her witty eccentricity in potent, relatable sorrow.
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Hailed as a key figure at the forefront of the UK Jazz scene, Ni Maxine uses her timeless vocals to deconstruct the pressures of the “strong black woman” narrative. Her new single ‘Time’ is a conscious, elegant statement that transcends even the neo-jazz label. It’s an intentional call for self-liberation, urging listeners to reject the man-made construct of time and find joy in small, present moments. Blending moody, Afro-centric soul with political lyricism, ‘Time’ is a captivating listen that delivers both sonic warmth and a profound message. It cements Ni Maxine’s place as an essential voice sparking intergenerational conversations.
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Dellwood’s ‘Rain Lost Its Water’ is a cinematic folk progression that perfectly marries melancholic heartbreak with the warmth of memory. Marking nearly a year since the project’s debut, the song is deeply autumnal in tone, built around evocative lyrical anchors like “the rain lost its water.” Chris Bartels weaves these themes into a story of letting go. The soundscape is intensely immersive, featuring thick, layered vocal harmonies, subtle vocoder textures, and the haunting, heartfelt debut of a slide guitar. It’s a track that beautifully balances the heaviness of loss with the cozy nostalgia of the past, confirming Dellwood’s intuitive craft.
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Blending neo-soul textures with a compelling contemporary R&B groove, ‘the story’ is an empowering anthem for self-liberation Jordan Corey. The track is a manifesto for radical self-responsibility, urging listeners to discard external “shoulds” and live authentically. It’s smooth, yet driving rhythm makes it the perfect soundtrack for a sunset highway drive, resonating with dreamers and those thirsty to write their own rules. Jordan corey delivers a song that feels like coming home. It’s a powerful invitation to own your narrative and finally set yourself free from the weight of outside expectations.
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Conceived in a dark basement while escaping pain, SAUDA’s latst single ‘Jasmine’ weaves a compelling story where the flower symbolizes an intoxicating love that leaves a lasting mark. The duo (Kevin Faye and Anton Axélo) blend hip-hop elements and shimmering production into a sound that feels like a melodic escape. The result is a seductive piece of progressive R&B and alt-pop born from struggle and recovery. It perfectly balances moody introspection with a weightless, alluring quality, successfully turning a difficult reality into something uniquely beautiful. This track signals a powerful new collaborative voice in modern pop.
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‘On My Own’ is a confident statement of alt-R&B independence, blending moody textures with a pulsing, Afro-inspired beat. Luvrite’s track is sonically rich, grounded by a jazz sample and distorted guitars cutting through the mix, alongside heavy 808s. At its core is Luvrite’s velvet-smooth vocal refrain is a compelling mantra of self-reliance and inward focus. More than just a reflection on independence, the single captures the clarity achieved by stepping away from external noise. With its atmospheric grit and dynamic influence, ‘On My Own’ firmly establishes Luvrite as a significant artist to watch in the alt-R&B space.
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In her new single ‘I Won’t Speak Today’, the 22-year-old producer Ella Conder perfectly captures the emotional exhaustion of masking inner struggles, a feeling born from a year spent constantly appearing “fine.” It’s a brooding, cinematic electronic statement steeped in atmosphere. The track pulses with a dark intensity, borrowing from influences like Massive Attack and The Cure. What makes it unique is its intimate, layered narrative, which includes subtle, sampled family dialogue offering unscripted words of encouragement. This creates a fascinating blend of internal monologue and kitchen-table documentary. It’s a perfectly crafted, contemplative score for late-night wanderings, marking Ella Conder as a highly introspective new voice in the dark indietronica space.
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Delivering the exact dreamy, feel-good energy it promises, ‘Fly Away’ is a buoyant piece of nu-disco and indietronica from Moon Age. The Stockport project masterfully combines funky bass and melodic guitar riffs with shimmering 80s synths, creating an uplifting, danceable cut. The song captures the rush of a new romance, painting an escape to a warmer life with its dreamy vocals. It successfully balances a nostalgic vibe with a forward-looking edge, making it equally suited for a late-night club system or a sun-drenched playlist. This is high-quality, infectious pop that compels you to move.
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Navigating the peril of reigniting a past love, ‘Flame’ rages like a sonic wildfire, driven by throbbing, ritualistic drums and gritty guitar riffs that lend a darker turn to Alex Mountain’s discography. Co-written with Matt Brown, the production builds a complex atmosphere with shimmering harmonies, reflecting on how love can both hurt and heal. Drawing inspiration from artists like PVRIS and Bon Iver, Alex fearlessly sits in the driver’s seat of emotional discomfort, contemplating whether rewriting an ending is worth reopening old wounds. ‘Flame’ is a bold, refined statement that pushes his sound into a compelling, rock-leaning indie space.
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Kimani Jackson blasts off with the bold and provocative R&B anthem ‘Spaceship FCK’. This single builds on the momentum of his acclaimed ICEBREAKER EP, pushing the boundaries of modern R&B with a futuristic, high-energy soundscape. The track combines smooth production with Kimani’s authentic artistry and distinctive energy, reflecting his ascent from viral NYC subway performances to national acclaim. ‘Spaceship FCK’ is an unapologetically fresh statement, backed by a major digital video campaign, cementing Jackson’s status as one of the most exciting new voices in the genre. It’s a necessary listen for fans craving boundary-defying R&B that balances grit and polished execution.
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PURPLE MELON 