Our Indie Kids playlist celebrates everything on the indie spectrum, whether that’s rock, folk or pop, because we firmly believe in taking a little walk off the beaten track every once in a while.
Our latest Indie Kids playlist is kicking off with ‘Don’t You Wanna’ is an explosive, defiant rock anthem from Big Sleep. Produced by Chris W Ryan, the single pulsates with a fuzz-soaked, cathartic energy clearly born for the stage. It perfectly blends the band’s sharp-edged alternative sound with a modern pop urgency. The Dublin quartet delivers vivid hooks and driving rhythms, instantly translating their philosophy, to simply have fun, into a potent, urgent track. Having already sold out shows across Europe and garnered comparisons to artists like Pixies and The Cure, this single confirms Big Sleep is a serious, unmissable force in alternative music heading into their winter tour.
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‘Polar’ is a chillingly intimate meditation on vulnerability, which is furthering verifying Amelie Lucille’s reputation as an old soul storyteller. The track perfectly balances her classic musical lineage—a moody alternative sensibility reminiscent of The Cure or Cocteau Twins, with modern, confessional indie-pop. Amelie’s voice is singularly powerful yet delicate, weaving a narrative depth that will appeal strongly to fans of storytelling artists like Lana Del Rey and Cat Power. ‘Polar’ is essential listening, marking her as a compelling and captivating new fixture in the New York singer/songwriter landscape.
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No Love For The Middle Child shares ‘Broken Wings,’ a high-octane single that masterfully fuses pop, punk, rock, and electronic sensibilities. The track centers on a profound lyrical concept: the internal pessimism that prevents satisfaction, symbolized by an angel finding monotony even in heaven. This theme is propelled by the producer’s multi-instrumental fluency, which delivers dynamic, genre-bending energy perfect for its subject matter. ‘Broken Wings’ is a bold, energetic meditation on the fast pace of the world and the struggle to enjoy the ride. It’s a compelling, immediate listen that solidifies No Love For The Middle Child as a boundary-pushing force in modern alternative music.
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Following Mirage’s recent chart success, their new track ‘Steal My Heart’ makes a strong case for radio placements and festival stages. Brimming with the feel-good rush of new love, it’s a high-energy indie-pop anthem born from the excitement of their New Zealand tour. It trades the acoustic reflection of their previous ballad for their signature summery, slick sound, proving why the Mt Maunganui band is an ever-rising sensation. The production is infectious and immediate, capturing that all-consuming adrenaline with polished harmonies and buoyant instrumentation. ‘Steal My Heart’ is a powerful, instant hit that keeps the heat of summer alive, solidifying Mirage’s reputation for delivering captivating festival bangers.
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Beach For Tiger delivers a slow-burning, cathartic confession with the soulful psych of ‘A Matter Of Time.’ An ode to a manipulative ex, the track establishes tension from the first chord, carried by a pulsing bassline and warm, vintage textures that echo through memory. The vocals are rich and exhausted, cutting through the dreamy, chambery blur with sharp conviction. The confrontation here isn’t one of vengeance, but of karmic inevitability, offering an all-too-rare emotional cherry. This dream-pop track doesn’t shout its lesson; it lets the listener live the satisfying justice in every note, proving the band are masters of beautiful, biting pain.
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Seddy Lujan’s new single ‘attached’ smoothly transitions his narrative focus to the compelling love stories of Bubbles’ friends, marking the start of a new chapter. Musically, the track is a raw, emotional blend of indie and bedroom pop, built on shimmering melodies and lo-fi textures. Lyrically, it dives into the vulnerable, yet universally relatable, fear of losing someone you’ve grown close to. Seddy captures that nervous, tight-grip feeling of new attachment, proving his skill for vulnerable queer storytelling. ‘attached’ is a poignant anthem for anyone overthinking their situationship, delivered with the moody introspection that defines his rising voice in the indie scene.
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Encapsulating TENDER’s signature blend of intimate bedroom pop and festival-sized ambition is stunning new single ‘Gravity/Infinity’. The duo’s latest track explores the concept of love on a cosmic scale, representing an eternal connection that transcends human frailty. James Cullen and Dan Cobb effortlessly actualize this theme through luxurious, fully-formed alt-pop production. The music perfectly reflects the tension between opposing sides of the human experience. It’s an expansive, emotionally weighted single that highlights their unique and unbreakable chemistry, setting a magnificent and assured tone for their forthcoming album.
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AlascA returns after a five-year hiatus with ‘Ophelia’, a track that immediately re-establishes their place as the Netherlands’ leading alternative folk voice. Initially presenting as romantic, the song quickly deepens, revealing itself to be an existential, beautiful and layered soundscape. Beneath the folky tapestry and powerful sound explores themes of youth, doubt, death, and absence. It’s a profound evolution, where the band have leaned into their raw, searching sincerity through the creative process. The sonic maturity and captivating duality make ‘Ophelia’ a welcome, powerful return for the celebrated group, begging for repeat listens to peel back every layer.
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Under The Poplar’s ‘Sand’ is a vibrant evolution, maintaining Heath W.’s signature melodic guitar work while embracing a dynamic, polished pop sensibility. The track shines with increased vocal energy and movement, contrasting with his previous contemplative releases. Lyrically, ‘Sand’ functions as an unabashed pep talk, a compelling dialogue between a struggling individual and a narrator urging perseverance and courage in uncertain times. As a solo operation, Heath W. masterfully handles the recording, production, and mixing, delivering a bright, dynamic indie-pop anthem that offers genuine uplift and applicable wisdom.
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Hushtones’ new album, Wildflower in the Mystery, ‘Manifest’ is a vibrant microcosm of the record as a whole. The track immediately showcases the Liverpool quintet’s distinctive male-female dual vocals layered over an infectious, guitar-driven soundscape that defines their powerful indie-pop sound. Reflecting the album’s core theme of beauty that emerges from disaster, ‘Manifest’ is a heartfelt declaration of pushing past struggles and embracing new phases of life. The song is buoyed by the band’s sharp pop sensibilities and a community-steeped, DIY ethos. With its melodic clarity and clear momentum, ‘Manifest’ is a compelling statement from a band steadily cementing their essential place in the UK music scene.
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PURPLE MELON 