Our Indie Kids playlist celebrates everything on the indie spectrum, whether that’s rock, folk or pop, because we firmly believe in taking a little walk off the beaten track every once in a while.
Our Indie Kids playlist is starting off strong with ‘Steady’, a captivating and poetic conclusion to Olivia Reid’s new EP, Space to Roam. While the project is rooted in folk-infused healing, this artist boldly ventures into an experimental soundscape, blending Reid’s calming vocals with mesmerizing electronic textures and a rhythmic beat. Co-produced with So Wylie, the track is a beautiful lyrical exploration of finding inner calm amidst a chaotic world. It’s an honest, serene, and deeply introspective song that showcases Olivia’s ability to articulate complex feelings with both lyrical precision and sonic artistry.
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Seafret’s latest single’ Love In Reverse’ is a poignant return to the duo’s signature sound. Coming off a recent wave of success, the track showcases their revitalized energy while staying true to their core ethos of heart-on-sleeve storytelling. With soaring, melancholic melodies and a lyrical rawness, the song navigates the ache of a relationship’s end. It captures the universal desire to rewind time, even when the damage is irreparable. The track is a powerful example of Seafret’s ability to combine cinematic flair with raw emotional weight, cementing their status as masters of honest, heartfelt indie-folk.
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From their upcoming album, Wildflower in the Mystery, Liverpool’s Hushtones continue their ascent with the compelling single ‘Leave Me Out’. The track highlights the quintet’s signature blend of dual male-female vocals and dynamic, guitar-driven indie-pop. Lyrically, it’s a raw, honest exploration of human flaws and the struggle for elusive success, adding a darker dimension to their sound. However, the song’s true power lies in its chorus, where all four voices unite in harmony, transforming desperation into a moment of collective hope. It’s a beautifully crafted single that demonstrates Hushtones’ emotional depth and creative evolution.
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From Anaïs & The Hoops’ debut EP, title-track ‘Growing Pains’ is a nostalgic, jazzy indie-pop journey that’s well worth the wait. Three years in the making, the collection of six tracks is a collaborative effort, with contributions from her band, a friend’s poem, and even her mother. Capturing the essence of a pivotal life chapter, exploring the tension between adulthood and holding onto the past. With jazz-inflected vocals and a retro aesthetic, the song feels both personal and universal. It’s a charming and authentic collection that solidifies Anaïs & The Hoops as a compelling new voice in indie music.
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Blending brooding indie-rock and anthemic ambition, Fright Years’ new single ‘Wait for Nothing’ successfully expands their sound while retaining the intricate emotional core fans love. Frontwoman Kelly’s lyrics provide a potent personal pep talk, centering on the theme of finding comfort in mortality and urging listeners to pursue their passions fearlessly. The song is a confident and dynamic statement from a band enjoying a breakout year. With its immediate appeal and deeper lyrical message, ‘Wait for Nothing’ solidifies Fright Years as one of the UK’s most exciting and unstoppable new acts.
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British singer-songwriter Alex Francis returns with a stirring and soulful new single ‘Before You Break Her Heart’. Produced by Grammy-winning Metrophonic Music, the track blends warm textures with tender, heartfelt lyricism. Alex tackles the quiet devastation of emotionally disconnected relationships, drawing inspiration from the often-disposable nature of dating app culture. His raw and rich vocal tone is the centerpiece, delivering a classic yet current sound. ‘Before You Break Her Heart’ is a vulnerable and insightful piece that showcases Alex Francis’s unique ability to capture profound emotional weight. The song arrives as he embarks on a new chapter, solidifying his place as a promising voice in soul music.
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Silverset’s new single ‘Akame’ is a perfect example of the band’s refreshing approach to alternative rock. The track is an upbeat, instantly catchy piece that blends timeless-sounding melodies with raw, honest lyrics. It’s true to the band’s core philosophy of finding beauty and value in the overlooked moments of life. Driven by Nicki Fruth’s vocals and the tight chemistry of the trio, the song feels both immediate and deeply personal. ‘Akame’ serves as an exciting preview of their upcoming debut EP and cements Silverset as a promising new act to watch.
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Balancing The Bankes Brothers’ signature high-energy rock’n’roll with a new reflective edge, their new single ‘Where Do We Go From Here?’ is a dynamic track that perfectly captures the band’s evolution. The song delves into the chaos of modern relationships, with vocalist Nelson Bankes’ lyrics exploring the difficult reality of blind devotion and emotional turmoil. Recorded with producer Gus van Go, the track features rich instrumentation and emotive vocals that feel both raw and vulnerable. This single is a compelling taste of their upcoming EP, cementing The Bankes Brothers as an exciting force in indie rock.
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Delivering a deadpan and emotionally charged punch is New Zealand artist Steve Mathieson (aka Lunavela) with his single ‘Middle Management Asshole. Channeling a 90s-influenced indie dream sound, the song showcases his detached, observational lyricism. The track feels both bruised and celebratory, touching on universal themes with a raw honesty that stems from his newfound creative freedom. As Lunavela aims to evoke something in his listeners, this single succeeds with its blend of melancholic pop melodies and sharp, relatable storytelling, making it a compelling entry into the indie rock landscape.
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PURPLE MELON 