In the ancient world, purple was originally the colour reserved for the imperial families of Rome, Persia and Egypt and while it’s no longer elitist, there’s still something special to be had to the red-meets-blue hue. Our Purple Pop selection showcases the most luxurious, beautiful and unmissable pop music finds for our ears to yours.
Our Purple Pop playlist dives in deep with Sawyer Utah’s ‘One More Fix’, a hauntingly relatable indie-pop confessional, capturing the addictive pull of love and habits we can’t quite quit. With atmospheric production and aching vocals, Sawyer leans into the emotional tension of wanting release but craving just one more. The track’s cinematic video, directed by Orchee Sorker, amplifies the messy push and pull of heartbreak with striking visual storytelling. Blending dreamy bedroom pop with western-tinged aesthetics, Sawyer Utah continues to carve his own lane, following the success of WHERE DO U GO? and tears & wishes. ‘One More Fix’ is vulnerable, vibey, and proof of his rising artistry.
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Chloe Moriondo dives back into her sonic world with the sparkling new single ‘girls with gills’. Described by the artist as a track “bumping from the hottest club in atlantis,” it’s a chaotic, bubbly indie-pop anthem full of mermaid energy. Following the introspective journey of her recent album oyster, this track feels like a celebratory exhale. It’s a confident, cathartic banger that embraces the wilder, more carefree side of her sound. It’s a perfect example of Chloe’s ability to blend her different musical palettes into something entirely her own, creating an immersive experience that’s both fun and a powerful statement of self-discovery.
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Channeling the raw energy of artists like Doja Cat and Jessie Reyez, Estella Dawn shares new new gritty and unapologetic dark-pop anthem ‘I Like It Rough’. As with each of her releases, Estella makes the sound entirely her own with snarling hooks and confident vocals. As a singer, songwriter, and producer, she has crafted an explosive ode to rebellion and resilience. The song serves as a powerful reminder that strength and vulnerability can coexist, proving that Estella Dawn is a bold new voice unafraid to challenge pop conventions. Her fast-growing global audience is a testament to her unique and defiant style.
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Carried by a delicate, hauntingly beautiful vocal performance, ‘I’m Glad We Met’ is a chronological love story about Avery Lynch’s relationship with co-producer Jordan Van Hecke. It’s a deeply personal, piano-driven ballad that serves as the heart of this artist’s EP. Avery’s songwriting shines as she chronicles their journey from strangers to partners, emphasizing the small moments that led them together. The addition of stunning cello and strings elevates the emotional weight of the song. As a sad song troubadour, Avery Lynch continues to master the art of turning raw emotion into quiet, captivating storytelling.
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With comparisons to Lewis Capaldi and Cian Ducrot, Irish alt-pop artist Ocean Tisdall proves that he’s more than a one-trick-pony with a hauntingly beautiful acoustic ballad that captures the quiet devastation of a selfless breakup. Delivering a powerfully raw performance on ‘Making It Easy’, Ocean’s soulful voice carries the weight of the song’s honest lyrics, particularly the heartbreaking line, “I’m making it easy for you to leave me.” The minimalist production emphasizes the intimate storytelling, creating a deeply personal and emotionally resonant experience. This track solidifies Ocean Tisdall’s place as a master of introspective and vulnerably-charged alt-pop.
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Mila Vandelle’s debut single ‘July Eleven’ is a tender and vulnerable reflection on the difficult space between heartbreak and healing. The Kiwi-Dutch singer-songwriter delivers a raw and intimate performance, blending honest lyricism with a warm, atmospheric pop sound. Inspired by artists like Holly Humberstone and Billie Eilish, Mila’s storytelling feels deeply personal and relatable. The song captures the bittersweet ache of letting go of something that wasn’t right, and serves as a promising introduction to an artist who finds power in vulnerability.
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‘Way Too Late’ is a gorgeous indie-pop song about missed moments and poor timing. Julia DeTomaso’s track, which feels like a direct, late-night confession, showcases the artist’s strengths as both a songwriter and a producer. With a sound reminiscent of Gracie Abrams and Taylor Swift, she weaves a compelling narrative through intimate lyrics. The song is full of pleasant surprises, from the upbeat drum pattern at the beginning to the acoustic guitar in the chorus. ‘Way Too Late’ is a testament to Julia DeTomaso’s talents and proves that, for her, taking time away from music was clearly worth the wait.
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Sydney-based artist MERA’s sophomore single ‘I Can’t Dance’ is an upbeat, feel-good track about finding your place in the world. The song cleverly uses the metaphor of being “out of sync” to describe the feeling of not fitting in, a sentiment many can relate to. However, the mood shifts with pulsing rhythms and evocative melodies, capturing the moment when one special person makes everything click. Showcasing her knack for honest and emotional songwriting, MERA’s music, blending alt-pop and indie dance, invites misfits and dreamers to join her community, celebrating the strength found in vulnerability.
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Delving into the intoxicating mix of delusion and love, Ana Sky shares her enthralling and atmospheric track ‘Desire’. The song is a perfect snapshot of delusional thought patterns, blurring the lines between what is real and what she wants to believe. With a commercial dark pop sound, the song is built on lush, seductive melodies and haunting lyrics that perfectly capture the struggle of holding onto an illusion. It marks a bold new era for the artist, showing her ability to turn complex inner thoughts into a captivating and deeply relatable listening experience.
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‘I’m So Glad’ is a bold and refreshing departure from Kenzy Kyx’s signature “sad girl pop” sound. This track is pure, unadulterated electro-pop joy, trading moody introspection for a liberating, feel-good anthem. While her voice still carries the smoky mystique of a Stevie Nicks or the cinematic allure of a Lana Del Rey, the song’s energy is entirely new. It’s built for singing at the top of your lungs with the windows down. ‘I’m So Glad’ perfectly blends her influences with a new, fearless energy, proving that her artistry is as dynamic as it is captivating.
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PURPLE MELON 