Our Indie Kids playlist celebrates everything on the indie spectrum, whether that’s rock, folk or pop, because we firmly believe in taking a little walk off the beaten track every once in a while.
Our latest Indie Kids playlist launches into action with Loose Buttons’ a raw, resonant indie rock anthem ‘Just A Boy In A Band’, which is about the beautiful futility of chasing dreams just out of reach. With shimmering guitars, heartfelt vocals, and a hook that feels both triumphant and resigned, the track captures the bittersweet truth of pouring your soul into three-minute songs that may or may not stick. Eric Nizgretsky’s lyricism is self-aware yet sincere, finding meaning not in fame, but in friendship and the shared magic of making music. It’s a coming-of-age moment, one that’s vulnerable, punchy, and defiantly hopeful. A standout from a band still chasing something real and finding it.
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Penned in 2021, Cabin Beat’s indie-rock single ‘Destiny’ was born from pandemic-era introspection, now serving as a powerful mission statement for the Selby trio. These lyrics passionately condemn complacency, urging listeners to actively forge their own path. Recorded at Gafro Studio with producer Gus Turner, the track boasts meticulously crafted bass and guitar tones, underpinning a solid vocal performance. Clocking in at nearly five minutes, ‘Destiny’ builds to an epic crescendo, highlighted by its impactful first chorus at around 45 seconds and a standout outro guitar solo at the 3 minute mark. It’s a compelling, energetic declaration from a band with a clear vision.
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Born from the wreckage of a fake chill post-breakup hangout, Dolo Tonight’s ‘Hate You Now’ channels post-heartbreak delirium into a twistedly catchy hook. Wqual parts hilarious, unhinged, and heartbreakingly human, it’s a chaotic, cathartic rollercoaster wrapped in awkward alt-pop brilliance. Framed through the lens of a sad, delusional stalker you weirdly pity, Dolo blends punchy alt-rock energy with tongue-in-cheek lyricism that lands somewhere between a therapy session and a meme spiral. It’s uncomfortably relatable, darkly funny, and infectiously anthemic. ‘Hate You Now’ affirms Dolo’s mission to make weird music that makes you laugh, squirm, and maybe cry a little.
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‘Feel Myself’ is a delicate, introspective gem, offering a final glimpse into Zimmer90’s highly anticipated debut album, Interior. This electro-indie pop track, conceived in the tranquility of rural France, immerses listeners in a drowsy, reverb-soaked atmosphere. Cascading piano keys and stuttering synths create a nostalgic, self-caring ode to emotional honesty. It beautifully captures the duo’s signature soulful, dreamy, disco-tinged indie-dance sound, emphasizing self-awareness and the beauty of slowing down. ‘Feel Myself’ solidifies Zimmer90’s promise as one of Germany’s most captivating emerging acts.
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Ian Shelvey’s boogieman is a Written and recorded from his Pittsburgh bedroom, Ian Shelvey’s vulnerability shines through bitcrushed vocals and gentle reverb in new single ‘boogieman’. This track is haunting, heartfelt reflection on growing up, losing pieces of yourself, facing the quiet weight of regret, and grappling with the distance between who he was and who he’s become. Intimate and aching lines like “you aren’t getting younger” hit with soft gravity. The then track pivots into booming 808s and a droning synth surge forward, grounding the emotion in raw urgency. It’s a bedroom-born blend of alt-pop and rock that feels both personal and cinematic. Painful, powerful, and beautifully real.
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‘White Goose’ is a poignant single from Anna Tivel’s upcoming album Animal Poem, a profound meditation on how the natural world informs our understanding of life, loss, and meaning. Recorded live with friends, the track encapsulates the album’s intimate, conversational spirit. Anna’s delicate delivery and evocative songwriting shine, creating an atmosphere of deep reflection. Accompanied by a breathtaking 16mm film video, ‘White Goose’ is a beautiful, almost melancholic, piece that demonstrates Anna Tivel’s continued strength as a storyteller, cementing her place as a significant voice in contemporary folk music.
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Wrapped in vintage textures and mellow funk, ‘Sonny’ is a sun-drenched slow groove with soul at its core and a quiet ache beneath the surface. Jet Vesper lull you into a nostalgic haze that’s not just chill for chill’s sake. It’s a reflection on disconnection, overstimulation, and the emotional distance we let slip in. Those silky vocals and warm production evoke a timeless space where Curtis Mayfield might jam with Daft Punk under a melting sky. Thoughtful yet effortless, ‘Sonny’ urges us to tune back in, to live and to love.
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Perfectly capturing the bittersweet essence of a slow-burning summer evening, ‘Lovelights’ is another tender indie-folk meditation from Dellwood. Chris Bartels’ signature intimate fingerpicking, layered harmonies, and spacious vocals create a warm, atmospheric soundscape. The song beautifully explores the tackling life’s challenges and finding solace in shared vulnerability. It’s a hopeful ode to enduring difficulties with a loved one by your side, embodying that rare stillness where comfort and calm emerge from deep conversations under fading twilight. ‘Lovelights’ is a gentle, yet profound, embrace of human connection amidst life’s complexities.
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Packed with pulsing synths, bold guitars, and a chorus worthy of The 1975, ‘Stay Toxic blends the playful swagger of The Driver Era with the punch of Circa Waves. Muddy Elephant’s cheeky, high-energy indie-pop gem that turns self-awareness into a singalong. Lyrically, it’s a wink at everyday impulsiveness—celebrating our messy, mischievous sides without the guilt. Produced by Adam Lempriere, ‘Stay Toxic’ is as infectious as it is relatable, showcasing the Manchester band’s knack for crafting anthems made for packed venues and carefree nights. It’s smart, self-effacing, and another confident step forward for a band on the rise.
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Tom A. Smith storms into a new chapter with ‘Fashion’, a blistering alt-rock anthem that cements his place on the iconic Fiction Records roster. Co-produced with Barry Hyde and mixed by Ali Chant, the single brims with jagged guitar riffs, ferocious hooks, and Tom’s gritty vocal snarl. It’s a bold, swaggering statement from the 21-year-old, channeling the raw energy of his electrifying live shows into a tightly crafted, festival-ready hit. ‘Fashion’ signals the arrival of a rising force unafraid to wear his influences loud, proud, and fully reimagined.
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PURPLE MELON 