In the ancient world, purple was originally the colour reserved for the imperial families of Rome, Persia and Egypt and while it’s no longer elitist, there’s still something special to be had to the red-meets-blue hue. Our Purple Pop selection showcases the most luxurious, beautiful and unmissable pop music finds for our ears to yours.
Let’s catch up with indigo realm of our Purple Pop playlist! First up is Avery Lynch’s latest single ‘Sweetheart’, a quietly striking meditation on emotional healing and rediscovery. Anchored by tender acoustic guitar and Avery’s disarmingly gentle vocals, the track reflects on how toxic love can skew our sense of what care should look like. With honest, self-aware lyrics and layered harmonies, ‘Sweetheart’ captures the eye-opening realization that real affection is simple, consistent, and kind. Written with Jordan and Neisha Grace, the song radiates intimacy and growth, culminating in one of Avery’s most personal releases to date. As the final preview of her upcoming EP, this track leaves a lingering emotional resonance.
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‘Vodka Cranberry’ is a sparkling blend of melancholy and euphoria, perfectly capturing the emotional contradictions Gen Z knows so well. Wrapped in shimmering alt-pop production with hints of indie folk vulnerability, the track finds Conan Gray at his most self-aware and cinematic. His signature bedroom-born lyricism remains front and center. It’s raw, poetic, and unmistakably personal. As the second taste of his upcoming album Wishbone, ‘Vodka Cranberry’ is both heartbreak anthem and late-night confessional, balancing pain with glitter. It’s another reminder that no one crafts modern nostalgia quite like Conan Gray and he’s only sharpening his voice with each new release.
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Blending disco-tinged synth-pop, R&B and indie dance, ‘Red Wine Reminds Me Of Her’ is the latest captivating track from CatchTwentyTwo. This self-produced track from the upcoming Exxxtreme Disco project offers a shimmering, glowing sonic ride. It masterfully draws parallels between the intoxicating rush of new love and the warmth of red wine, creating a deeply evocative lyrical concept. With its driving beat and warm synths, the song evokes a beautiful sense of nostalgia while maintaining an undeniable groove. CatchTwentyTwo’s multi-talented artistry shines through, delivering a catchy, emotionally resonant, and impeccably produced slow-burner that truly stands out.
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With a golden-hour glow and sweeping alt-pop production, Louis Torre’s ‘silver lining’ feels like a deep breath after chaos, one that’s hopeful, introspective, and cinematic. It’s a gentle yet powerful reminder that clarity often comes in the quiet moments. Louis’ vocals are effortless, carrying emotional weight without ever forcing it. It’s the kind of song that plays while you’re driving with the windows down, chasing peace you haven’t quite found yet. As a teaser for his debut album Clean House, ‘silver lining’ shows Louis Torre stepping confidently into his sound. It’s authentic, reflective and ready to leave a lasting impression in the pop world.
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‘I’m Good’ is a confident, synth-driven pop anthem born from the emotional toll of toxic dating. This is ZØYA’s powerful declaration of self-worth, not heartbreak. The track blends a laid-back groove with the artist’s signature raspy, emotionally charged vocals, creating a sound that’s both chill and rhythmically engaging. It captures the pivotal moment of walking away from manipulative connections, embracing strength, self-respect, and understated empowerment. “”m Good’ is an unfiltered, honest statement that resonates deeply, showcasing ZØYA’s ability to transform personal struggle into an empowering and catchy track.
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With ‘Hush (baby)’, Aqua Riyaz delivers a hauntingly honest alt-pop track that cuts through the noise with emotional precision. Far from a typical love song, it unpacks the pain of growing up under a polished, high-achieving shadow, where admiration and self-doubt collide. His vocals simmer with restrained fury, especially in the searing chorus: “hush baby, don’t you speak right now…” The stripped-down, brooding production mirrors the song’s inner tension, making every lyric land with weight. Aqua Riyaz steps beyond his child star roots to emerge as a fearless, mature songwriter unafraid to turn personal scars into poignant, relatable art. A powerful statement.
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Perfectly blending the Ornate’s Nashville roots with a fresh indie-pop sensibility, ‘Good Song’ is a masterclass in heartfelt introspection. From the opening chords, a subtle nod to Ornate’s guitarist upbringing, the track unfolds with a captivating honesty that feels deeply personal yet universally relatable. The production, clearly a passion for this Tennessee musician, is polished and nuanced, allowing the raw emotion of the songwriting to shine through. ‘Good Song’ mirrors Ornate’s evolving artistry, offering a sophisticated take on contemporary pop that resonates with both its lyrical depth and infectious melody. It’s a truly good song, indeed.
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‘There Are Things I’d Like to Say’ is a poignant farewell from Jason LaPierre and the late Filipina artist eda, whose delicate presence lingers in every note. Blending jazz-tinged guitar with soft indie pop sensibilities, the duet captures a sense of intimacy and incompletion, like love suspended in time. Their voices intertwine gently, evoking the ache of unspoken words and cherished memories. As the title track of Jason’s debut album, it stands as a graceful tribute to eda’s artistry and spirit. Emotionally raw and musically restrained, it’s a quietly devastating closer to a collaboration that now feels both eternal and fleeting.
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From The Imaginaries’ upcoming album Fever, ‘Constant’ is a tender embrace of devotion. Penned by Maggie McClure after a difficult day for Shane Henry, the track is a beautifully layered tapestry of piano, rich harmonies, and profound stillness. It’s a promise of unwavering presence amidst life’s uncertainties, resonating with both personal comfort and a broader spiritual reassurance. Following the uplifting ‘Little By Little’, ‘Constant’ offers an intimate glimpse into the duo’s heartfelt songwriting, showcasing their ability to craft deeply moving Americana with a touch of Muscle Shoals soul. A truly comforting and melodically strong offering.
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Bringing together lo-fi textures with pop, disco, and blues influences, Lin Taylor crafts a sound that feels both nostalgic and refreshingly modern. ‘Cherry Tree’ is a sultry, self-assured alt-pop track that drips with mood and swagger. With hypnotic production and a smoky vocal delivery, this single teases the ego while inviting listeners into a world of sensual confidence. It’s equal parts dreamy and provocative. An anthem for those who want to feel desired and in control. As a songwriter and producer, Lin Taylor’s distinct style shines through, making ‘Cherry Tree’ a standout statement of bold, seductive empowerment in the lo-fi pop realm.
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PURPLE MELON 