Our Indie Kids playlist celebrates everything on the indie spectrum, whether that’s rock, folk or pop, because we firmly believe in taking a little walk off the beaten track every once in a while.
Our latest Indie Kids collection begins with Dom Malin’s latest single ‘bloodmoon’, a profound indie-folk offering that solidifies his status as an artist to watch. Following the success of ‘Tapping Out’, this new track showcases this artist’s growing confidence with its rich instrumentation, sweeping melodies, and warm, amber-toned production. The song beautifully intertwines themes of nature and human connection, using the magnetic pull of a lunar event as a metaphor for an enduring bond with a distant loved one. ‘bloodmoon’ is a tender, nostalgic reflection on connections that never fade, imbued with atmospheric intimacy, soft melancholy, and glowing hope. It’s a showcase of timeless, well-crafted songwriting.
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Parisian multi-hyphenate Paul Prier delivers a mesmerizing slow-burn with ‘Light Stealer’, a dreamy, groove-laced collaboration featuring lo-fi auteur Infinite Bisous. The track sways between soulful nostalgia and quiet confrontation, blending lush 70s-inspired harmony with a modern, introspective edge. Infinite Bisous voices the titular spotlight-thief with seductive detachment, while Paul’s response smolders beneath. It’s both chill and cerebral, a velvety slow jam that rewards repeated listens. This is not just a track but a dialogue, wrapped in shimmering synths and soft tension. With ‘Light Stealer’, Paul Prier proves himself a master of nuance: seductive, unsettling, and deeply felt.
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‘a thousand times again’ is a captivating ballad that expertly blends classic crooner sensibilities with a modern indie-rock edge from New York-based artist Danny Ritz. Imagine a powerful, lost collaboration between Bon Iver and Roy Orbison, and you’ll get a sense of this track’s unique sound. Gritty synths and distorted guitars underpin a deeply visceral exploration of intimate love. With this track, Danny lives up to his “big songs about the little things” mantra, delivering a compelling and emotionally resonant piece that truly stands out.
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With ‘Not the Same’, Liverpool’s Jensyn crafts a breakup anthem that aches in two acts – first with quiet sorrow, then with restrained fury. Blending choral folk, ambient electronics, and dream-pop shimmer, the track is emotionally precise yet sonically expansive. Jensyn’s vulnerable vocals, paired with evocative piano from Niamh Mailer and Rachel Dover’s haunting strings, create a sense of suspended grief. The shift from introspection to frustration is subtle but seismic. It’s a heartbreak song for when there’s no clear villain – only silence. Raw, genre-defying, and gorgeously human, ‘Not the Same’ confirms Jensyn as a vital voice in queer alt-pop.
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19-year-old Miami artist Simón Villamizar delivers a compelling debut with his single ‘Cave’. What begins as a stripped-down, intimate ballad gradually transforms into a haunting, modern soundscape. Produced with Jona Camacho and Alfonso Ordóñez, the track masterfully blends swelling instrumentation, electronic textures, and cinematic tension. This deliberate sonic evolution mirrors the emotional unraveling within the song, creating a piece that feels both timeless and cutting-edge. ‘Cave’ showcases Simón’s raw storytelling and impressive command of atmosphere, marking him as a significant new voice in contemporary music.
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‘The City Whispers’ is a tender, cinematic reflection wrapped in soft rock nostalgia and modern polish. At just 18, Jake Thistle channels the emotional wisdom of a seasoned songwriter, weaving vivid urban imagery with heartfelt storytelling. His gentle vocals ride a warm arrangement, part Laurel Canyon, part contemporary indie-pop, inviting listeners into a hushed moment of longing amid city chaos. The track feels timeless, echoing the influence of icons while asserting Jake’s own voice. Melancholic yet hopeful, ‘The City Whispers’ is a subtle triumph.
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CatchTwentyTwo’s ‘At All Times’ is a vibrant, self-produced gem that pulses with 70s and 80s disco-funk energy. This track, from his upcoming Exxxtreme Disco EP, features a warm bassline, lively bongos, and punchy modern drums, all wrapped in a bright, thick mix. The South Florida artist skillfully channels influences like Michael Jackson and Prince, delivering an authentic expression of emotion through his signature soft-spoken, sullen vocal style. ‘At All Times’ is a compelling listen, showcasing CatchTwentyTwo’s ability to craft intimate and groovy narratives.
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Danny Addison delivers a searing meditation on belief, identity, and the seductive power of certainty with ‘Tribe’. Cinematic in scope yet intimate in delivery, the track showcases Danny’s gift for weaving intricate instrumentation, guitar, strings, and his emotive vocals, into a haunting narrative. It’s a quiet reckoning: a song that confronts echo chambers, moral posturing, and the human hunger to belong. Re-recorded for his upcoming debut Porcelain, ‘Tribe’ solidifies Danny Addison’s place among the UK’s most thoughtful emerging voices. With poetic lyricism and atmospheric depth, he crafts a song that doesn’t just ask questions—it dares us to sit with the uncomfortable answers.
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Thea Sass-Ainsworth’s new single ‘How to Stay Alive’ is a powerful and deeply emotional alt-rock ballad. The LA-based artist, known for her raspy vocals, offers a raw and vulnerable guide to resistance and survival. The track aches with a palpable sense of shared pain, as Thea draws on her personal experiences to illuminate the journey through life’s storms. Ultimately, it’s a shimmering, gasping exploration of making peace with the complex versions of ourselves and the simultaneous existence of pain and joy. Her signature blend of gothic terror and baroque abundance shines through, making this a truly impactful release.
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Anchored by Anna Tivel’s poetic lyricism and raw, live-in-the-room intimacy, ‘Animal Poem’ floats on gentle instrumentation, guitar, piano, ghostly harmonies, crafted in quiet conversation with friends. It’s a haunting, luminous meditation on the fragile act of being human. Anna sings like she’s both observing the world and aching inside it, reflecting on love, mortality, and the messy narratives we build to make sense of chaos. Co-produced with Sam Weber, ‘Animal Poem’ feels unvarnished and sacred, a soft rebellion against noise and certainty. This is a quiet prayer for tenderness in a collapsing world.
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PURPLE MELON 