Our Indie Kids playlist celebrates everything on the indie spectrum, whether that’s rock, folk or pop, because we firmly believe in taking a little walk off the beaten track every once in a while.
Let’s get going with ‘See Her’, a fast-burning burst of indie-pop brilliance which is sharp, vibrant, and unapologetically fun. Adult Leisure deliver a breakup anthem laced with sarcasm, self-awareness, and liberation, wrapped in nostalgia-drenched melodies and anthemic choruses. Neil Scott’s wry lyrics pair perfectly with shimmering guitars and a driving rhythm, while John Waugh’s saxophone adds a smooth, unexpected flair. Recorded at Humm Studios and mastered by the legendary John Webber, the track is polished yet punchy. ‘See Her’ captures that euphoric moment of post-heartbreak clarity, where freedom tastes better than love ever did. It’s confident, catchy, and built for screaming along.
Follow Adult Leisure on Instagram.
‘Used To Be’ is an anthem of youthful romance from Balter, capturing the cringy yet intense highs and lows of young love. This Northampton quartet’s jangle-pop sound, shimmering with guitars and bursting with exuberance, channels an Aztec Camera-esque charm. The track’s brevity mirrors the fleeting yet impactful nature of early relationships, delivering a candid “warning note” rather than an ode to love. For a band that has only just sat their GCSEs, Balter’s ‘Used To Be’ showcases surprising maturity and undeniable potential, hinting at a bright future in the indie scene.
Follow Balter on Instagram.
Through a sonic collage, Buick Audra explores her Miami roots, confronting familial estrangement while asserting ownership of her formative experiences. ‘It All Belonged To Me’ is a poignant, raw declaration of reclaiming one’s past. Her honest vocals, layered over evocative instrumentation, convey a bittersweet reclamation of identity. This track, from her forthcoming concept album ADULT CHILD, is a powerful testament to self-preservation and the courage to fight for one’s own narrative, even when it means facing ingrained patterns. It’s a deeply personal yet universally resonant tale of healing and self-acceptance.
Follow Buick Audra on Instagram.
Belgian duo Twin Toes leans into minimalist pop with hyperpop sheen, crafting a track that’s both groovy and introspective. ‘Born Before the Internet’ is a quirky, genre-blurring gem that fuses nostalgic longing with futuristic flair. Clocking in under three minutes, it’s a surreal, toe-tapping reflection on analog childhoods and digital adulthood. With crisp beats, catchy choruses, and just the right dose of weird, ‘Born Before the Internet’ feels like Kraftwerk dancing in a Wes Anderson dream. Twin Toes have refined their experimental instincts into something immediate and irresistibly fun. It’s retro yet fresh, playful yet pointed. A true earworm.
Follow Twin Toes on Instagram.
Love Spells’ new single ‘Bones And All’ is a compelling tribute to Luca Guadagnino’s film of the same name, translating its dark romance into a captivating auditory experience. The track immerses listeners in a world of “all-consuming love and devotion,” underscored by a simmering tension. Inspired by the film’s narrative of intertwined desire and danger, the song likely features a cinematic soundscape, echoing the accompanying music video’s 90s indie movie aesthetic. It’s a testament to Love Spells’ ability to craft music that not only pays homage but also deeply resonates, exploring the raw edges of human connection and the fight for humanity amidst powerful urges.
Follow Love Spells on Instagram.
Wrapped in shimmering synths and driving guitars, CATBEAR’s ‘Who Cares?’ channels the dizzying tension of social anxiety with a defiant edge. This is a vibrant alt-pop anthem pulsing with punky energy and under-the-surface vulnerability. Zoe’s lyrics capture the inner monologue of overthinking and self-doubt, while the upbeat production keeps it danceable and cathartic. It’s that bittersweet balance CATBEAR does so well – melancholy dressed in glitter, awkwardness turned into empowerment. Self-produced and emotionally raw, ‘Who Cares?’ feels like a pep talk for the anxious heart: bold, catchy, and quietly reassuring. An exciting first taste of their upcoming second album.
Follow CATBEAR on Instagram.
The Flints return with new single ‘Like You Mean It’ is a dynamic exploration of relational intensity, blending retro pop and rock with psychedelic flair. Produced with KOZ, the track showcases the Manchester twins’ signature shapeshifting structure, moving from upbeat verses to a half-time chorus, culminating in a cathartic outro powered by Joey Waronker’s drums. George and Henry Flint articulate the song’s core as an urgent plea for intentional, fearless love. This track marks a bold evolution for The Flints, deepening their emotional resonance and reinforcing their unique sibling chemistry, solidifying their status as a compelling new voice in genre-blurring pop.
Follow The Flints on Instagram.
Mixed by Barny Barnicott and mastered by Tim Debney, The Bohemes’ ‘Always Out At Midnight’ crackles with indie-rock pedigree while carving out its own tragicomic lane. It’s a punchy, danceable rock anthem with a sharp British edge and a heart full of yearning. Centered around a lonely werewolf in search of connection, the song is both metaphor and mirror, reflecting the alienation of modern life with wit and swagger. Gritty guitars, urgent rhythms, and a touch of melancholy give ‘Always Out At Midnight’ its bite. It’s restless, anthemic, and undeniably raw, reckless, and ready to howl.
Follow The Bohemes on Instagram.
Emerging from Orange County, Jagwar Twin weaves his signature alternate rock, fusing unexpected elements like accordion hooks and children’s choirs with gritty breakbeats. Newest track ‘MAGIK’ is a captivating anthem of self-acceptance, celebrating the individual’s past, present, and future self. The track embodies his unique blend of indie-rock, dream-pop, and alt-pop. Lyrically, ‘MAGIK’ feels deeply thoughtful, almost hieroglyphic, resonating with his ongoing exploration of light versus dark and the internal battles he articulates. It’s a powerful declaration of inherent worth, delivered with Jagwar Twin’s distinctive, lore-steeped artistry.
Follow Jagwar Twin on Instagram.
With gentle guitar work and lo-fi textures, ‘The Less We Talk’ feels like a quiet confessional whispered in the dark. lindsay delivers a hushed, intimate meditation on distance, connection, and everything left unsaid. With gentle guitar work and lo-fi textures, this song feels like a quiet confessional whispered in the dark. Will Cuming (aka LANKS) trades electronic polish for raw vulnerability, crafting a sound that recalls the emotional weight of Phoebe Bridgers with his own distinct cinematic tenderness. There’s a stillness to the song that lingers – each lyric deliberate, each pause filled with meaning. Following the momentum of ‘Say It’, ‘The Less We Talk’ proves lindsay’s return is not only welcome, but deeply resonant.
Follow lindsay on Instagram.
PURPLE MELON 