Here’s the latest round of dance-worthy, electro-fuelled tracks for you lovely lot to check out! As always, we keep out doors open for all kinds of electronic music and that shows in the eclectic mix below.
Let’s get the Dance Collective party started with Barney Bones’ ‘Inferno’, a cathartic blend of deep house and alternative hip-hop, channeling grief into a hypnotic, dance-driven experience. The track pulses with dark, brooding energy, layering moody synths over a relentless beat that mirrors the weight of heartbreak. His introspective lyrics and raw delivery give the song a deeply personal edge, transforming pain into movement. Following the loss of close friend, Barney’s artistry remains both a tribute and an evolution. As a key figure in the West Coast scene, ‘Inferno’ proves his ability to push boundaries, setting the stage for his upcoming EP, Boneyard Canyon USA.
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Seamlessly blending rolling basslines, melodic synths, and garage-inspired grooves, John Summit releases his high-energy house anthem ‘Light Years’, featuring Inéz. Released on his Experts Only label, the track delivers an adrenaline rush fit for clubs and festival stages alike. Inéz’s commanding vocals soar over John Summit’s fast-paced production, adding a hypnotic depth to the track’s infectious rhythm. Teased at major performances like the Vegas Sphere and Experts Only Weekender, ‘Light Years’ quickly became a fan favorite. With its relentless momentum and anthemic feel, this track cements John Summit’s reputation as a master of dancefloor-driven energy.
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Crafted to ignite dance floors worldwide, DJ Katch’s ‘QUIZUMBA’ is a fiery blend of afro-house and latin rhythms. Infused with the electrifying spirit of Rio’s carnival, the track pulses with vibrant percussion, infectious vocal hooks, and an irresistible groove. With his signature high-energy production, Katch seamlessly fuses tribal beats and modern club sounds, making ‘QUIZUMBA’ a certified summer anthem. Whether at a beach party or a festival stage, this track guarantees movement. Following his global hits like ‘The Horns and Lights Out (Too Drunk)’, DJ Katch once again proves he’s a master of crafting international dancefloor heat.
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‘Pull Me Closer’ is the latest sultry, late-night invitation from Paris-based elsaaa. The track blends dreamy electro with a touch of tropical house, creating a hypnotic soundscape. Ethereal melodies intertwine with smooth, pulsing beats, building a subtle tension. elsaaa’s vocals are intoxicating, weaving a narrative of desire and uncertainty. The lyrics, simple yet evocative, capture the fleeting magic of a dance floor connection. The production is lush and immersive, drawing the listener into its warm embrace. A catchy chorus and vibrant textures ensure ‘Pull Me Closer’ is both intimate and danceable. This is perfect for those seeking a chill yet sensual vibe.
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Pulsating synths and futuristic melodies propel the adrenaline rush of Sophie Powers’ ‘move with me’, which captures the chaotic dance of ambition and intimacy. It detonates with a raw, nihilistic energy, a stark departure from her earlier bubblegum pop. Sophie’s rebellious spirit shines, her vocals a defiant call for connection amidst a relentless world. This track isn’t a plea for love, but a demand for a partner who matches her momentum. Her DIY aesthetic, from self-designed outfits to Harajuku streetwear collaborations, reinforces her counterculture ethos. ‘move with me’ is a bold declaration, positioning Sophie Powers as a leading voice for a generation valuing independence and unfiltered expression.
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‘The Power of Speech’ is a sleek, groove-laden showcase of his mastery in tech-house. Built on tight percussion and hypnotic basslines, Haskell’s track oozes dancefloor intent. Echoes of old-school house weave through the production, adding warmth and nostalgia beneath its crisp modern edges. Haskell’s decade of evolution is audible here – his finesse with tension and release, his knack for rhythmic drive. This is peak-time material with brains, channeling the raw energy of his live sets. With releases across major labels and global gigs under his belt, ‘The Power of Speech’ reaffirms his place as a seasoned craftsman in the scene, offering a track that’s as suited for sunset sessions as it is for 3am warehouse moments.
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Driven by a confident, rolling percussion and a supple bassline, ‘Kick It With You’ pulses with warmth and depth. Fritz Kalkbrenner provides a masterclass in restrained house music from the shimmering chords to subtle vocal fragments, which create a hypnotic and heartfelt atmosphere. This is designed for those in-between moments: sunrise sets, slow-burning dancefloors, and introspective nights. Fritz Kalkbrenner’s organic, fluid sound breathes with each bar, offering a listening experience that moves the soul.
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Opening with a haunting female vocal, Théatrophone’s ‘I Don’t Want You‘ dives into the emotional depths of loving someone who keeps disappointing you. This stirring blend of heartbreak and dancefloor euphoria makes way for the vocalist’s raw vulnerability to build to a soaring drop, where synths swell and the chorus cuts deep with its infectious, melancholic hook. A male vocal reply adds a new layer of tension, but before resolution comes, the chorus returns – louder, more urgent, more devastating. Fusing electro-pop, deep house, and dance pop, the Berlin-based duo crafts a cinematic soundscape that’s as emotionally resonant as it is club-ready. ‘I Don’t Want You’ is a heartbreak anthem wrapped in neon lights – perfect for dancing through the pain. Let the theatre begin.
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The Swiss-born, Panama-based producer Boris Metraux channels the soulful essence of afro-house and the pulse of electronic music into an immersive soundscape. ‘Dream’ is a hypnotic journey through rich, layered textures that seamlessly fuse deep house grooves with tribal and jazz influences. Warm, rolling basslines and organic percussion create a meditative yet danceable vibe, while subtle jazz inflections add a refined, experimental edge. ‘Dream’ feels both intimate and expansive, it’s a sonic reflection of Boris Metraux’s artistic evolution and cultural surroundings. It’s a track that invites listeners to lose themselves and find freedom on the dancefloor. A beautiful, bold expression.
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WLC’s rework of Bonobo’s ‘Shadows’ is a delicate, reverent echo – an afterglow that lingers long after the final note. Completed at 22:22 with quiet intention, this version is less a remix and more a whispered memory, reshaped through WLC’s deep house sensibility. Stripped back and soulful, it pulses with minimal, tech-tinged rhythms, letting Bonobo’s emotive essence breathe in new ways. A subtle groove unfolds, hypnotic and tender, inviting introspection rather than spectacle. There’s no grand announcement here, just a heartfelt offering from a Brussels-based sonic wanderer who knows how to carry emotion through space and sound for whoever feels it.
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PURPLE MELON 