Get ready for a Min Melon Mix Up! We’re bringing you the hottest new tracks, from catchy beats to soulful melodies. Whether you’re dancing, feeling the feels, or chilling out, we’ve got the perfect tunes for you.
This week’s Mini Melon Mix Ups begins gently with a beautifully sincere love song ‘All The Ways to Love You’, which showcases John Adams’ emotive storytelling and soaring vocals. With an acoustic-driven sound reminiscent of James Morrison and Passenger, John delivers an anthem for those who love wholeheartedly. The track’s closing lyric, “I’ll find all the ways to love you and I’ll love you all ways,” perfectly encapsulates its message of devotion. His rich, heartfelt voice, comparable to Sam Smith and James Blunt, elevates the song’s raw emotion, making it a touching and memorable listen. John Adams continues to prove himself as a standout singer-songwriter with this moving release.
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Blending soulful vocals with a slowed tempo to heighten its romantic essence, Himmat Singh’s ‘Mera Yaar’ is a mesmerizing lo-fi reimagination of a classic. His smooth delivery, paired with a dreamy soundscape, creates an intimate and nostalgic atmosphere. Himmat’s ability to merge Punjabi, English and Spanish influences shines through, making the track feel both timeless and refreshingly modern. The minimalist production spotlights his rich, emotive voice, evoking deep sentiment. As an independent artist crafting his own melodies and visuals, Himmat Singh continues to push creative boundaries, offering a heartfelt and immersive listening experience that lingers long after the song ends.
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Raw vulnerability permeates every note of ‘Say It’, reflecting Lindsay’s seven-year journey to perfect this deeply personal, tender and stripped-down ode to enduring love. The lo-fi aesthetic, reminiscent of Phoebe Bridgers, creates an intimate atmosphere, emphasizing the sincerity of the lyrics. Those vocals, delivered with quiet conviction, capture the essence of finding solace and acceptance in a partner. The poignant line, “I’m broken love, only you mend,” encapsulates the song’s core message. ‘Say It’ is a poignant reminder of love’s quiet strength, a heartfelt whisper in a noisy world.
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‘I Wonder If I’ll Forget This’ is a masterclass in understated emotional depth from Jess Kerber. Her Joni Mitchell-esque guitar, delicately plucked, forms the foundation for her stunning voice, a blend of gentle coo and stirring keen. Will Orchard’s production adds subtle layers of organ drone, enhancing the song’s plaintive atmosphere. Jess’s lyrics, both vulnerable and resolute, evoke the precariousness of memory, likened to “grabbing the edge of the pool.” Her soulful delivery, imbued with a timeless quality, resonates with a profound sincerity. This is a beautifully crafted, deeply moving track that showcases Jess Kerber’s exceptional talent.
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Dahlia Dumont’s ‘Stalker’ is a theatrical, self-aware exploration of unrequited love, a musical melodrama that flips the typical gender script. This artist’s self-described “musical rant” captures the dizzying confusion of sudden, intense infatuation, mirroring the very behaviors she once found irritating. The song’s spiraling lyrics and discordant finale reflect the chaotic nature of these newfound feelings. Dahlia’s honesty and vulnerability shine through, transforming a personal experience into a relatable, if slightly unsettling, narrative. The track is a bold, unconventional preview of her upcoming album, Fantasia.
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From Charlie Cunningham’s new album In Light, focus track ‘Shape of Tomorrow’ is a masterclass in evocative indie-folk. Marching percussion underpins his warm vocals and virtuosic guitar, creating a compelling tension. The song, and the album as a whole, confronts the threat of AI to human creativity, championing raw, authentic expression. Charlie’s commitment to capturing “realness” is palpable, with single-take recordings and minimal edits. In Light is all about human connection and hope, even amidst digital anxieties, making it a profoundly resonant and beautifully crafted collection.
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‘Back to Back’ is the warm, intimate introduction to Reid Parson’s upcoming album. A gentle bossa-nova groove and thoughtful lyrics create a comforting space, exploring the nuances of connection. Reid’s vocals, elegantly expressive, deliver a message of mutual support with a quiet strength. The song hints at the album’s rich tapestry of influences, from jazz and blues to soul and folk, all woven together with a distinct, architectural sensibility. Reid Parsons’ commitment to authenticity, from direct-to-tape recording to their grassroots support, shines through, making ‘Back to Back”‘a promising glimpse of a deeply personal and beautifully crafted debut.
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With hazy vocals and lush, atmospheric instrumentals, Lucille Two’s ‘Seasons’ blends elements of dream pop, psychedelic pop and space rock, evoking the likes of Beach House and Mazzy Star. The result is a dreamy, melancholic gem that effortlessly captures the emotional drift of moving on. The refrain, “I don’t know, but I don’t care,” lingers with quiet detachment, making it the perfect soundtrack for late-night contemplation. As the duo continues to refine their signature sound alongside producer Simon Dobson, ‘Seasons’ solidifies their place in the indie dream-pop landscape. It’s hypnotic, wistful, and undeniably cool.
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Anchored by Chloe Foy’s searing vulnerability and biting honesty, ‘Blinkers’ explores the frustrations of miscommunication and emotional turmoil in a past relationship. Foy’s strikingly emotive vocals soar over a heavier, rock-infused production, offering catharsis and empowerment in equal measure. This raw, electric-guitar-driven anthem marks a bold evolution in her sound. Co-produced by the very ex-partner the song critiques, ‘Blinkers’ is as deeply personal as it is defiant. Its visceral energy and unapologetic edge serve as a compelling preview of Chloe Foy’s upcoming album, Complete Fool, promising an unfiltered exploration of love, heartbreak, and self-discovery.
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‘Just Because’ plunges into heartbreak’s raw core. Leah Kate’s vocal vulnerability cuts through the track, fueled by a New York City night’s emotional jolt. The lyrics, stark and honest, capture the torment of lingering feelings: “Not being with you in the city, it just eats me alive.” The song’s production, polished pop with a sharp edge, amplifies the emotional weight. Leah, known for her empowering anthems, delivers a relatable narrative of unresolved love. Building on her viral success and platinum status, ‘Just Because’ solidifies her place in breakup pop’s vanguard.
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SYML (aka Brian Fennell) crafts a delicate sonic landscape, reflecting the surreal, dreamlike space where he encounters his late father. ‘The White Light of the Morning’ is a poignant, whispered hymn, a direct confrontation with grief. The track, a glimpse into his upcoming album Nobody Lives Here, resonates with raw vulnerability. His music, marked by cinematic depth, explores mortality and loss with unwavering harmony. Brian’s production, layered with slide guitar and cello, creates an intimate, almost sacred atmosphere. The song captures the fragile beauty of navigating grief, affirming SYML’s ability to transform personal pain into universal resonance.
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PURPLE MELON 