Hey LACES, thanks for taking the time to talk to us today. Could you tell us a little known fact about yourself?

I am a pretty open book these days, but I guess little known fact about me is that I got to be a buffy expert on TV when I first moved to LA!

Your new EP WORK is a rebellion against exhaustion and framed as a badge of honor. What moment made you realize that message had to become music?

Approximately six years into my corporate career, the relentless exhaustion, bordering on abuse, and subsequent burnout began to trigger my CPTSD. I recognized the urgent need to articulate these feelings before they completely overwhelmed me. It also inspired me to… QUIT.

How do you strike that balance between social commentary and pop catchiness?

I honestly don’t even think about it! I’ve always used humor to cope with darkness, so turning to catchy pop melodies and sarcasm comes naturally. It’s just the quirky weirdo in me.

‘Hard Work’ is such a refreshingly raw look at long-term love, so what inspired you to write about the parts no one shares online?

I enjoy delving into uncomfortable subjects, knowing that many face similar situations yet feel isolated. I believe speaking unspoken truths can empower others to confront their emotions. While fiercely protective of my relationship, my husband’s encouragement allowed me to explore these themes in a song, and I’m grateful for that.

You’ve had such a varied life journey through foster care, major-label pressures, chronic illness, even rebuilding your jaw. How did all that shape the emotional DNA of WORK?

I think this body of work embodies all sides of me through the lens of labor. I’ve had to do a lot of “hard work” since I entered this life and I really leaned into that when I created these songs. I truly believe we captured the humor, the sadness, the pain, the frustration, and the acceptance of it all.

The EP blends glitchy synths, gospel textures, and full-throttle hooks. What sounds or tools were central to shaping this sonic palette?

Keeley aka Dresage really led here. We explored a lot of 80s and early 90s synths and were heavily influenced by Francis & The Lights, Phil Collins, Muna, and Bruce Springsteen. I am hook obsessed so I try to let my melodies lead to pave the way for the rest.

What’s next for you?

I would say quitting my job, but I’ve already done that. Stay tuned… 😉

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