Category: Reviews
Scirii’s ‘Femme Fatale’ signals a new voice in the dark-pop scene
Mr Maph’s ‘Loneliness’ reveals light in isolation
Ula strikes with dark-pop precision on her defiant new single ‘Danger’
Late-night NYC vibes in Carly Shea’s ‘Take It Personal’
Casey McQuillen’s ‘Wedding Date’ chronicles the shadow of lost love
Chatterbox: Kelsie Kimberlin chats acts of defiance, literary devices, and a dream of peace
Mojo Morgan bridges past and future in ‘Mountain Song’ from new EP, Jamaica Love
‘Feel The Heat’ is the essential hypnotic tech house from STYLEX
Lera Shemi’s dark debut ‘such a gooD boy’ pulls you into temptation
Listen to Hanne Leland’s tender new single ‘Nothing At All’
Elisa V fuses classical elegance with deep house in debut ‘Love of Yesterday’
Katie Belle turns sleepless nights into sonic gold on ‘Bad Dreams’
Japanese producer You Liang delivers international breakthrough single ‘Maybe Tonight’
OLI’s ‘Can’t Do It Right’ finds power in imperfection
‘Secondhand Love’ is Alex Hoskyns’ unmissable debut
Yulan & Blaise’s ‘Quench’ is an alt-pop dreamscape between comfort and claustrophobia
Nature meets basslines in Consequential’s ‘Cravin’’
Explore the unpredictable charm of Yeija’s second release ‘Beehive’
Ula returns with spell-binding new single ‘In My Eyes’
From TYYE’s next EP, ‘whole thing’ is a stunning piece of pop reinvention
‘Girls in Hollywood’ is Lola Wild’s pop-noir unmasking of movie star glamour
Lauren Presley steps into the spotlight with ‘Trade Secrets’
Chloe Tsangaris confronts betrayal on pop-rock single ‘Elephant in the Room’
AKIRA redefines Latin music with debut album Cumbia del Bosque
Why ‘Pessimist’ might be SAPPHIRE’s most powerful track yet
‘Turn Back Time’ is Jimmy Scott Free’s soulful reawakening, featuring the late Kim English
Jayli finds connection is melodic-house masterpiece ‘Hey, How Are You?’
‘Wallow’ is TAMS/N OTWAY’s cinematic pop anthem for liberation
